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ABSTRACT
The Continuator project concerns the study of interactive musical
systems that are able to learn musical styles. The Continuator
system was developed with the primary goal of designing new musical
instruments in the context of improvised music. The strong
subjective impressions created with the use of the system led us to
consider its use in a pedagogical context. This article describes
experiments conducted with the system and 3- to 5-year-old
children. We highlight several dimensions of the study pertaining
to music education, including attention span, spontaneous
development of playing modes, and capacity to listen analytically.
We describe very encouraging preliminary results and stress the
importance of using reflective interactive systems for triggering
musical interest in children and creating stimulating,
nonsupervised music learning environments. We conclude by setting
up our research in the context of the theory of flow as an optimal
experience.
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