ACM Home Page
Please provide us with feedback. Feedback
When children reflect on their own playing style: experiments with continuator and children
Full text PdfPdf (249 KB)
Source Computers in Entertainment (CIE) archive
Volume 2 ,  Issue 1  (January 2004) table of contents
SECTION: Music table of contents
Pages: 14 - 14  
Year of Publication: 2004
ISSN:1544-3574
Authors
Francois Pachet  Sony CSL, Paris
Anna Rita Addessi  University of Bologna
Publisher
ACM  New York, NY, USA
Bibliometrics
Downloads (6 Weeks): 11,   Downloads (12 Months): 56,   Citation Count: 6
Additional Information:

abstract   references   cited by   collaborative colleagues  

Tools and Actions: Request Permissions Request Permissions    Review this Article  
DOI Bookmark: Use this link to bookmark this Article: http://doi.acm.org/10.1145/973801.973824
What is a DOI?

ABSTRACT

The Continuator project concerns the study of interactive musical systems that are able to learn musical styles. The Continuator system was developed with the primary goal of designing new musical instruments in the context of improvised music. The strong subjective impressions created with the use of the system led us to consider its use in a pedagogical context. This article describes experiments conducted with the system and 3- to 5-year-old children. We highlight several dimensions of the study pertaining to music education, including attention span, spontaneous development of playing modes, and capacity to listen analytically. We describe very encouraging preliminary results and stress the importance of using reflective interactive systems for triggering musical interest in children and creating stimulating, nonsupervised music learning environments. We conclude by setting up our research in the context of the theory of flow as an optimal experience.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
ADDESSI, A.-R. AND PACHET, F. 2003. Musical style replication in 3/5 years old children: experiments and analysis. Submitted to the British J. Music Education.
 
2
BROOKS, HOPKINS, NEUMANN, AND WRIGHT. 1957. An experiment in musical composition. IRE Trans. Electronic Comput. 6, 1(1957).
 
3
COPE, D. 1996. Experiments in Musical Intelligence. A-R Editions, Madison, WI, 1996.
 
4
CSIKSZENTMIHALYI, M. 1990. Flow, the Psychology of optimal Experience. Harper & Row, 1990.
 
5
CSIKSZENTMIHALYI, M. 1996. Creativity: Flow and the Psychology of Discovery and Invention. Harper Collins, 1996.
 
6
DELALANDE, F. 1984. La musique est un jeu d'enfant. Buchet/Chastel, Paris. 1984.
 
7
DELIÈGE, I. 2003. Special issue on music similarity. Musica Scientae (Fall 2003).
8
 
9
IIZUKA, H. AND IKEGAMI, T. 2002. Simulating turn-taking behaviours with coupled dynamical recognizers. In Proceedings of the 8th International Conference on the Simulation and Synthesis of Living Systems (University of New South Wales, Sydney, NSW, Australia, 9th-13th Dec. 2002).
 
10
KAPLAN, F. 2001. Artificial attachment: Will a robot ever pass Ainsworth's strange situation test?. In Proceedings of Humanoids 2001: IEEE-RAS International Conference on Humanoid Robots. S. Hashimoto, ed. 2001. 125-132.
 
11
KURZWEIL, R. 1999. The Age of Spiritual Machines. Viking Press, 1999.
 
12
MACHOVER, T. 1996. Brain opera, In Memesis: The Future of Evolution. Ars Electronica Editions, Linz, Austria.
 
13
MOGI, K. 2003. Onceness. In The Future of Learning. M. Tokoro and L. Steels, eds. IOS Press.
 
14
MUSICLAB. 2002. 6 interactive music applications for music teaching in national education. http://www.ircam.fr/produits/technologies/multimedia/musiclab-e.html.
 
15
PACHET, F. 2002a The Continuator: Musical interaction with style. In Proceedings of the ICMC Conference (Sept. 2002), 211-218. Extended version in J. New Music Research 31, 4 (2003).
 
16
 
17
 
18
PARADISO, J. 1999. The brain opera technology: New instruments and gestural sensors for musical interaction and performance. J. New Music Research 28, 2 (1999), 130-149.
19
 
20
RINALDI, C. 2003. The joys of preschool learning. In The Future of Learning: Issues and Prospects. M. Tokoro and L. Steels eds. IOS Press, 2003.
 
21
SHANNON, C. E. 1948. A mathematical theory of communication. Bell System Tech. J. 27 (July and Oct. 1948), 379-423 and 623-656.
 
22
 
23
 
24
WEINBERG, G. 1999. Expressive digital musical instruments for children. M.S. thesis. MIT Media Laboratory, 1999.
 
25
WEBSTER, P. R. 2002. Computer-based technology and music teaching and learning. In The New Handbook of Research on Music Teaching and Learning. R. Cowell and C. Richardson eds. Oxford University Press, 416-439.

Collaborative Colleagues:
Francois Pachet: colleagues
Anna Rita Addessi: colleagues