| But I know what I like |
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ACM SIGWEB Newsletter
archive
Volume 8 , Issue 2 (June 1999)
table of contents
Pages: 8 - 13
Year of Publication: 1999
ISSN:1931-1745
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| Bibliometrics |
Downloads (6 Weeks): 0, Downloads (12 Months): 2, Citation Count: 4
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 REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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2
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3
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Malloy, Judy. its name was Penelope (Eastgate Systems, 1993).
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4
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For examples of variable nodes, see Robert Kendall, Dispossession (Eastgate Reading Room, 1999) at http://www.eastgate.com/Dispossession.
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5
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Yellowlees Douglas, Jane. "Are We Reading Yet? A Few Pointers on Reading Hypertext Narratives." Preface to Stuart Moulthrop, Victory Garden (Eastgate Systems, 1991).
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Arnold, Mary-Kim. Lust (Eastgate Systems, 1993). In this Storyspace hypertext, guard fields dynamically alter the default path to avoid visited nodes.
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Strickland, Stephanie. The Ballad of Sand and Harry Soot (Word Circuits Gallery, forthcoming) at http://www.wordcircuits.com/gallery.
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8
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Jackson, Shelley. Patchwork Girl (Eastgate Systems, 1995).
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9
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Cramer, Kathryn. In Small & Large Pieces (Eastgate Systems, 1994).
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10
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Bly, Bill. We Descend (Eastgate Systems, 1997)
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11
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For analysis of an excellent thematic structure in a hypertext fiction, see Kendall, "Parsing the Cold: McLaughlin's Notes Toward Absolute Zero."
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12
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Larsen, Deena. Stained Word Window (Word Circuits Gallery, forthcoming) at http://www.wordcircuits.com/gallery.
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An example of intratext is Robert Kendall, "After Closing," in Behind the Lines (Eastgate Systems, forthcoming).
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