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How DRM-based content delivery systems disrupt expectations of "personal use"
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Source ACM Workshop On Digital Rights Management archive
Proceedings of the 3rd ACM workshop on Digital rights management table of contents
Washington, DC, USA
SESSION: Copyrights and access-rights table of contents
Pages: 77 - 89  
Year of Publication: 2003
ISBN:1-58113-786-9
Authors
Deirdre K. Mulligan  University of California, Berkeley, CA
John Han  University of California, Berkeley, CA
Aaron J. Burstein  University of California, Berkeley, CA
Sponsors
ACM: Association for Computing Machinery
SIGSAC: ACM Special Interest Group on Security, Audit, and Control
Publisher
ACM  New York, NY, USA
Bibliometrics
Downloads (6 Weeks): 25,   Downloads (12 Months): 253,   Citation Count: 9
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ABSTRACT

We set out to examine whether current, DRM-based online offerings of music and movies accord with consumers' current expectations regarding the personal use of copyrighted works by studying the behavior of six music, and two film online distribution services. We find that, for the most part, the services examined do not accord with expectations of personal use. The DRM-based services studied restrict personal use in a manner inconsistent with the norms and expectations governing the purchase and rental of traditional physical CDs, DVDs, and videocassettes. If adopted by consumers the DRM systems stand to alter the norms governing personal use of copyrighted content and create pitfalls of legal liability for unsuspecting consumers. In conclusion, we present technological and legal considerations which may help current and future DRM system designers better accommodate consumers' expectations of personal use.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
17 U.S.C. § 109(b)(1)(A).
 
2
17 U.S.C.§ 1201(a)(1)(A) (2003).
 
3
17 U.S.C. § 1201(a)(3)(B) (2003) (defining a "technological measure" that "effectively controls access to a work").
 
4
18 U.S.C.§ 1030(a)(5)(B)(i) (2003).
 
5
18 U.S.C. § 1030(g) (2003).
 
6
18 U.S.C. § 2710.
 
7
18 U.S.C. § 2710(a)(4).
 
8
18 U.S.C .§ 2710(b)(2).
 
9
18 U.S.C. § 2710(e).
 
10
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11
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12
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13
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14
 
15
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16
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17
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18
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19
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20
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21
 
22
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23
24
 
25
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26
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27
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28
 
29
Jessica Litman, Symposium: Copyright Law as Communications Policy: Convergence of Paradigms and Cultures: War Stories, 20 Cardozo Arts & Entertainment L.J. 337, 338-339 (2002) (discussing Congress' unwillingness to define personal use but willingness to protect consumers from liability for specific non-commercial uses).
 
30
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31
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32
Movielink Privacy Policy. See http://www.movielink.com/commerce/help/privacy.jhtml.
 
33
Deirdre K. Mulligan & Aaron J. Burstein, Implementing Copyright Limitations in Rights Expression Languages, in PROCEEDINGS OF 2002 ACM DRM WORKSHOP. Available at http://crypto.stanford.edu/DRM2002/mulligan_burstein_acm_drm_2002.doc.
 
34
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37
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38
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39
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40
 
41
Michael Singer, Apple's Making Serious Music, InternetNews.com (April 28, 2003). See http://siliconvalley.internet.com/news/article.php/2197271.
 
42
Snort: The Open Source Network Intrusion Detection System. See http://www.snort.org/.
 
43
Sony Corp. of America v. Universal City Studio, 464 U.S. 417, 455, 78 L. Ed. 2d 574, 104 S. Ct. 774 (1984) (holding that "time-shifting" of copyrighted television shows with VCR's is fair use).
 
44
System Internals Freeware, Filemon for Windows. See http://www.sysinternals.com/ntw2k/source/filemon.shtml.
 
45
Texas Penal Code § 31.04(a)(1) (providing that a "person commits theft of service if, with intent to avoid payment for service that he knows is provided only for compensation . . . he intentionally or knowingly secures performance of the service by deception, threat, or false token.").
 
46
Deborah Tussey, From Fan Site to Filesharing: Personal Use in Cyberspace, 35 Ga. L. Rev. 1129, 1143--44 (2001) (discussing the overlap between fair use and personal use but noting that many commonly engaged in personal uses have never been labeled "fair" by the courts and may well not be if presented).
 
47
Universal City Studios v. Corley, 273 F.3d 429 (2d Cir. 2001). (This interpretation may clash with the intent of Congress to make "circumvention of copy- and use-controls . . . lawful when performed for noninfringing purposes, such as to enable fair uses.").
 
48
Universal City Studios v. Reimerdes, 111 F. Supp. 2d 294 (S.D.N.Y. 2000) (affirmed on appeal under the name Universal City Studios v. Corley).
 
49
United States v. Morris, 928 F.2d 504 (2nd Cir. 1991).
 
50
Hal Varian, Carl Shapiro, Information Rules, Harvard Business School Press, Boston, Massachusetts, 97--98.
 
51
Windows Media Player for Windows XP Privacy Statement. See http://www.microsoft.com/windows/windowsmedia/software/v8/privacy.aspx.
 
52
Todd Woody, The Race to Kill Kazaa, Wired Magazine Issue 11.02 (February 2003). Available at http://www.wired.com/wired/archive/11.02/kazaa_pr.html.
 
53
Pressplay Privacy Policy. See http://www.pressplay.com/privacypolicy.html.
 
54

CITED BY  9


REVIEW

"Michael Lesk : Reviewer"

This excellent paper-which is at times amusing, and at times frightening-examines the usage and privacy policies of different entertainment delivery systems. Not only did the authors actually read the end user license agreements that came with the  more...

Collaborative Colleagues:
Deirdre K. Mulligan: colleagues
John Han: colleagues
Aaron J. Burstein: colleagues