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The IP war: apocalypse or revolution?
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Source ACM Workshop On Digital Rights Management archive
Proceedings of the 3rd ACM workshop on Digital rights management table of contents
Washington, DC, USA
Pages: 39 - 46  
Year of Publication: 2003
ISBN:1-58113-786-9
Authors
Tsvi Gal  AOL Time Warner Music Group, New York, NY
Howard M. Singer  AOL Time Warner Music Group, New York, NY
Laird Popkin  TIG Ventures Group, New York, NY
Sponsors
ACM: Association for Computing Machinery
SIGSAC: ACM Special Interest Group on Security, Audit, and Control
Publisher
ACM  New York, NY, USA
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ABSTRACT

In the Foundation series, Asimov predicted a 1,000 years of darkness following the fall of the galactic empire. In the book Noir, K.W Jeter describes a world where IP is the ultimate war. Combine them together and you have likely scenario No. 1.The Internet era enabled communication and information exchange on a global scale. But it also opened the door to copyright infringement on a global scale. Music, books, movies, software, games, speeches, research papers - everything is now fair game. The only protection the movie studios ever had was bandwidth - and it is quickly evaporating due to faster network connectivity via broadband and smarter downloading technologies such as BitTorrent.Intellectual property, copyrights and the like are the key to a democratic, free-market civilization and greed is a prime mover - so if all is 'free' and we have a 'constitutional right' to 'share' - where is the future of innovation and creativity?This paper will describe the current state of the great IP war (early stages of border unrest and some commando activity), outline potential futures, and make some suggestions as to how to help direct the world toward a reasonable future.In each case, we will cover the business, legal, and social implications of the scenario and we will discuss the various ways the computing industry can help to influence the future outcome.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
The Recording Industry Commercial Piracy Report 2003, International Federation of the Phonographic Industry (IFPI), July 2003.
 
2
'Helped by Technology, Piracy of DVDs Runs Rampant in China,' The New York Times, August 18, 2003
 
3
'Market Watch,' Billboard, August 30, 2003.
 
4
 
5
'Play Taps for Music Pirates,' Business Week On-Line, June 26, 2003.
 
6
www.slyck.com
 
7
'Corporate P2P Use is Common,' CNET News.com, July 16, 2003.
 
8
'Music Downloading, File-sharing, and Copyright,' Pew Internet & American Life Project, July 2003.
 
9
NPD September 2002 study.
 
10
'National Record Buyers Survey 3,' Edison Media Research, May 2003.
 
11
'Commentary: File-Swapping's Fear Factor,' Forrester Research Special to CNET News. COM, July 17, 2003.
 
12
'Study: Downloads to Save Music Business,' MSNBC. COM, August 12, 2003.
 
13
'TEMPO: Keeping Pace with Digital Music Behavior, Ipsos-Reid, March 2003.
 
14
'RIAA Lawsuits Appear to Reduce Music File Sharing,' NPD Press Release, August 21, 2003.

Collaborative Colleagues:
Tsvi Gal: colleagues
Howard M. Singer: colleagues
Laird Popkin: colleagues