ACM Home Page
Please provide us with feedback. Feedback
The fabric of society: a proposal to investigate the emotional and sensory experience of wearing denim clothing
Full text PdfPdf (403 KB)
Source Designing Pleasurable Products And Interfaces archive
Proceedings of the 2003 international conference on Designing pleasurable products and interfaces table of contents
Pittsburgh, PA, USA
SESSION: Stigma and the sensorial experience of objects table of contents
Pages: 28 - 33  
Year of Publication: 2003
ISBN:1-58113-652-8
Author
Fiona Jane Candy  University of Central Lancashire, Preston Lancs., UK
Sponsors
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
ACM: Association for Computing Machinery
Publisher
ACM  New York, NY, USA
Bibliometrics
Downloads (6 Weeks): 11,   Downloads (12 Months): 50,   Citation Count: 1
Additional Information:

abstract   references   cited by   index terms  

Tools and Actions: Request Permissions Request Permissions    Review this Article  
DOI Bookmark: Use this link to bookmark this Article: http://doi.acm.org/10.1145/782896.782904
What is a DOI?

ABSTRACT

This paper introduces a project that intends to utilise research methods derived from experience within Art and Design, to investigate the sensory and emotional experience of wearing denim clothing in public. The researcher will provide an explanation of context and identify the range of research methods under consideration. The project is based on the premise that as a 21st century mass-produced product, denim typifies the processes inherent within design and commercial culture. Although culturally complex, its current ubiquity and 'ordinariness' make it particularly significant to be used as a model for inquiry into affective qualities in relation to the design of products in general. At the time of writing the project is at the planning stage, but first outcomes are planned for June 2003.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
Attfield, J. Wild Things: The Material Culture of Everyday Life. Berg, Oxford, UK, New York, USA, 2000. 121--148.
 
2
Candy, F. Design's Personal Effects, in Design and Emotion, Episode 111: The Design of Everyday Things, Loughborough University. Taylor and Francis, (in press) London, UK, 2003.
 
3
Clarke, A & Miller, D. Fashion and Anxiety, in Fashion Theory (Vol. 6, issue 2) Berg, Oxford, UK, 2002 191--213.
 
4
Cotton, C. Brand Associations Through Advertising, in Brand-New. Pavitt, J, (ed) V&A Publications, London, UK. 2000. 60 -- 63.
 
5
Dijkstra, R. 'The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL', in Remix: Contemporary Art and Pop, at Tate Liverpool, Tate Publishing, London, UK, 2002. Also www.aim.se/Index/artists/dikstra.html
 
6
Flugel, J.C. The Psychology of Clothes. Hogarth Press, London, UK, 1930.
 
7
Gaver, W. The Presence Project. RCACRD Research Publications, London, UK, 2001.
 
8
Marsh, G & Trynka, P. Denim: from Cowboys to Catwalks, Arum Press, London, UK, 2002.
 
9
Sanders, E. Post Design and Participatory Culture in Useful and Critical: The Position of Research in Design. Tuusula University, Helsinki, Finland, 1999
 
10
Schmitt, J C, The rationale of gestures in the West: third to thirteenth centuries, in A Cultural History of Gesture, Bremmer, J and Roodenburg, H. (eds.) Polity Press, Cambridge, UK, 1991. 59--70.
 
11
Spicer, J. The Renaissance Elbow, in A Cultural History of Gesture. (as {10} above). 84--128.
 
12
Street, J. Politics and Popular Culture. Polity Press, Cambridge, UK, 1997. 37.