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ABSTRACT
As the technology of hypertext matures and becomes widespread,
the changes it brings to textuality will affect all fields of
writing, including those associated with literature. Using an
important recent work of hypertextual fiction as a focal point,
this paper offers a perspective on hypertext informed by literary
and social criticism. It invokes Jean Baudrillards distinction
between technologies of displacement (the robot) and technologies
of augmentation (the automaton) to argue for the design of texts
and systems that are accessible and enabling rather than opaque and
objectifying.
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CITED BY 6
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Charles A. Hill , Brad Mehlenbacher, Readers' expectations and writers' goals in the late age of print, Proceedings of the 14th annual international conference on Systems documentation: Marshaling new technological forces: building a corporate, academic, and user-oriented triangle, p.257-266, October 19-22, 1996, Research Triangle Park, North Carolina, United States
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Peter J. Nürnberg , John J. Leggett , Uffe K. Wiil, An agenda for open hypermedia research, Proceedings of the ninth ACM conference on Hypertext and hypermedia : links, objects, time and space---structure in hypermedia systems: links, objects, time and space---structure in hypermedia systems, p.198-206, June 20-24, 1998, Pittsburgh, Pennsylvania, United States
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Mark Bernstein, Patterns of hypertext, Proceedings of the ninth ACM conference on Hypertext and hypermedia : links, objects, time and space---structure in hypermedia systems: links, objects, time and space---structure in hypermedia systems, p.21-29, June 20-24, 1998, Pittsburgh, Pennsylvania, United States
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Yellowlees Douglas , Andrew Hargadon, The pleasure principle: immersion, engagement, flow, Proceedings of the eleventh ACM on Hypertext and hypermedia, p.153-160, May 30-June 03, 2000, San Antonio, Texas, United States
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