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Performance visualization: a new challenge to music through visualization
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Source International Multimedia Conference archive
Proceedings of the tenth ACM international conference on Multimedia table of contents
Juan-les-Pins, France
POSTER SESSION: Poster session and reception table of contents
Pages: 239 - 242  
Year of Publication: 2002
ISBN:1-58113-620-X
Authors
Rumi Hiraga  Bunkyo University 1100 Namegaya, Chigasaki, Japan
Reiko Mizaki  Ochanomizu University 2-1-1, Otsuka, Bunkyo-Ku, Tokyo, Japan
Issei Fujishiro  Ochanomizu University
Sponsors
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
SIGCOMM: ACM Special Interest Group on Data Communication
SIGMULTIMEDIA: ACM Special Interest Group on Multimedia
Publisher
ACM  New York, NY, USA
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ABSTRACT

This paper describes performance visualization with its purposes, significance, and our prototype system. Performance visualization provides us with a new user interface for music systems, a non-subjective explanation and judgment for musical expression, and a visual aid to understand, analyze, and compare performances and their musical structures. It will also introduce a more challenging research on designing a musical data mining interface not by tags nor by contents but by the mood. Other challenges include finding qualitative characteristics of music with analysis methods for information visualization and synesthesia between visualized and sonified information. We will describe which information should be shown on the visualized figures for expressive performance. Then we will show our prototype system to visualize expressive performance consisting of several instruments.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
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R. B. Dannenberg. Music representation issues, techniques, and systems. Computer Music Journal, 17(3):20--30, 1993.
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R. Hiraga, S. Igarashi, and Y. Matsuura. Visualized music expression in an object-oriented environment. In Proc. of ICMC, pages 483--486, 1996.
 
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R. Hiraga, F. Watanabe, and I. Fujishiro. Music learning through visualization. In Proc. of WEB Delivering Music, 2002.
 
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F. Lerdahl and R. Jackendoff. A Generative Theory of Tonal Music. The MIT Press, 1996.
 
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R. Miyazaki and I. Fujishiro. Interactive poster: 3d visualization of midi dataset. In DVD of IEEE Visualization, 2002.
 
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E. Narmour. The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model. The University of Chicago Press, 1992.
 
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RENCON. http://shouchan.ei.tuat.ac.jp/-rencon/en/index.html.
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Collaborative Colleagues:
Rumi Hiraga: colleagues
Reiko Mizaki: colleagues
Issei Fujishiro: colleagues