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Personality preferences in graphical interface design
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Source Nordic Conference on Human-Computer Interaction; Vol. 31 archive
Proceedings of the second Nordic conference on Human-computer interaction table of contents
Aarhus, Denmark
SESSION: Short papers table of contents
Pages: 217 - 218  
Year of Publication: 2002
ISBN:1-58113-616-1
Author
Arvid Karsvall  Information Science Linköping University SE-581 83 Linköping, Sweden
Sponsors
ACM: Association for Computing Machinery
: Centre for Human-Machine Interaction
: IT University of Copenhagen
: Sveriges Tvarvetenskapliga Intresseforening For Manniska-Datorinteraktion
: Arhus Kommune
AIAS : Alexandra Instituttet A/S
: Arhus Amt
: Centre for Pervasive Computing
UAARHUS : University of Aarhus
Publisher
ACM  New York, NY, USA
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ABSTRACT

The paper presents and discusses the graphical interface design of three interactive television prototypes. These were manipulated in colour and shape in order to display different degrees of extrovert character. The manipulation was based on colour and psychology theory that connects personality traits with visual aesthetics. The first-time impressions of the prototypes were later evaluated in reference to the users' measured personality traits; this since previous work on postures and voice has shown that personality factors influence the users' interface design preferences. The user test concludes that the users do recognise the intended extrovert and introvert features of the prototypes.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
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Dahlbäck, N., & Karsvall, A. Personality Bias in Volunteer Based User Studies? Proceedings of HCI2000, vol 2, Sunderland, Great Britain, September 2001.
 
4
Karsvall, A. Design and Evaluation of a Personality Inspired Digital TV Interface. Master Thesis, Linköping University, 2000.
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Pickford, R., W. Psychology and visual aesthetics, Hutchinson Educational, London, 1972.
 
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