|
ABSTRACT
Card Shark and Thespis are two newly-implemented hypertext systems for creating hypertext narrative. Both systems depart dramatically from the tools currently popular for writing hypertext fiction, and these departures may help distinguish between the intrinsic nature of hypertext and the tendencies of particular software tools and formalisms. The implementation of these systems raises interesting questions about assumptions underlying recent discussion of immersive, interactive fictions, and suggests new opportunities for hypertext research.
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
| |
1
|
|
| |
2
|
Mary-Kim Arnold, Lust. Eastgate Quarterly Review of Hypertext, 1993.1(2).
|
| |
3
|
Mark Bernstein, Deeply Intertwingled Hypertext: The Navigation Problem Reconsidered. Technical Communication, 1991. 1991: p. 41-47.
|
 |
4
|
|
| |
5
|
Mark Bernstein, Conversations With Friends: Hypertexts With Characters, in Hypermedia Design, S. Fraise, et al., Editors. 1995, Springer: London. p. 207-215.
|
 |
6
|
Mark Bernstein, Patterns of hypertext, Proceedings of the ninth ACM conference on Hypertext and hypermedia : links, objects, time and space---structure in hypermedia systems: links, objects, time and space---structure in hypermedia systems, p.21-29, June 20-24, 1998, Pittsburgh, Pennsylvania, United States
[doi> 10.1145/276627.276630]
|
 |
7
|
|
| |
8
|
Sven Birkerts, The Gutenberg Elegies. 1994, Boston: Faber and Faber.
|
 |
9
|
|
| |
10
|
M.D. Coverly, Califia. 2000, Watertown, MA: Eastgate Systems, Inc.
|
| |
11
|
|
| |
12
|
John Gardner, The Art ofFiction: Notes On Craft for Young Writers. 1983, New York: Vintage Books.
|
 |
13
|
|
| |
14
|
Henry Jenkins and Mary Fully, Nintendo and New World Narrative, in Communications in Cyberspace, S. Jones, Editor. 1994, Sage: Los Angeles.
|
| |
15
|
Michael Joyce, afternoon, a story,. 1990, Eastgate Systems, Inc.: Watertown, MA.
|
| |
16
|
|
| |
17
|
|
 |
18
|
|
| |
19
|
|
| |
20
|
George P. Landow and Jon Lanestedt, The In Memoriam Web,. 1993, Eastgate Systems, Inc.: Watertown MA.
|
| |
21
|
|
| |
22
|
David Mamet, Three Uses Of The Knife: on the nature andpurpose of drama. 1998, New York: Columbia University Press.
|
| |
23
|
Michael Mateas and Andrew Stern. Towards Building a Fully-Realized Interactive Drama. in Digital Arts and Culture. 2001. Providence, RI
|
 |
24
|
Dave E. Millard , Luc Moreau , Hugh C. Davis , Siegfried Reich, FOHM: a fundamental open hypertext model for investigating interoperability between hypertext domains, Proceedings of the eleventh ACM on Hypertext and hypermedia, p.93-102, May 30-June 03, 2000, San Antonio, Texas, United States
[doi> 10.1145/336296.336334]
|
| |
25
|
Laura Miller, www.claptrap.com, in New York Times Book Review. 1998: New York. p. 43.
|
| |
26
|
|
| |
27
|
Peter J. Nurnberg, et al., A component-based open hypermedia approach to integrating structure services. New Review of Hypermedia and Multimedia, 1999.5: p. 179- 206.
|
 |
28
|
|
| |
29
|
Anja Ran, Wreader's Digest: How To Appreciate Hyperfiction. Journal of Digital Information, 2000.1(7).
|
| |
30
|
|
| |
31
|
Siegried Reich, et al., Addessing interoperability in open hypermedia: the design of the open hypermedia protocol. New Review of Hypermedia and Multimedia, 1999.5: p. 207-246.
|
| |
32
|
|
 |
33
|
|
| |
34
|
Stephanie Strickland, True North,. 1998, Eastgate Systems, Inc.: Watertown, MA.
|
 |
35
|
|
 |
36
|
|
CITED BY 19
|
|
David C. De Roure , Don G. Cruickshank , Danius T. Michaelides , Kevin R. Page , Mark J. Weal, On hyperstructure and musical structure, Proceedings of the thirteenth ACM conference on Hypertext and hypermedia, June 11-15, 2002, College Park, Maryland, USA
|
|
|
|
|
|
|
|
|
|
|
|
David Millard , Hugh Davis , Mark Weal , Koen Aben , Paul De Bra, AHA! meets Auld Linky: integrating designed and free-form hypertext systems, Proceedings of the fourteenth ACM conference on Hypertext and hypermedia, August 26-30, 2003, Nottingham, UK
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|