ACM Home Page
Please provide us with feedback. Feedback
Feature selection for polyphonic music retrieval
Full text PdfPdf (94 KB)
Source Annual ACM Conference on Research and Development in Information Retrieval archive
Proceedings of the 24th annual international ACM SIGIR conference on Research and development in information retrieval table of contents
New Orleans, Louisiana, United States
Pages: 428 - 429  
Year of Publication: 2001
ISBN:1-58113-331-6
Author
Jeremy Pickens  Univ. of Massachusetts, Amherst
Sponsor
SIGIR: ACM Special Interest Group on Information Retrieval
Publisher
ACM  New York, NY, USA
Bibliometrics
Downloads (6 Weeks): 7,   Downloads (12 Months): 32,   Citation Count: 2
Additional Information:

references   cited by   index terms   collaborative colleagues  

Tools and Actions: Request Permissions Request Permissions    Review this Article  
DOI Bookmark: Use this link to bookmark this Article: http://doi.acm.org/10.1145/383952.384070
What is a DOI?

REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

1
 
2
S. G. Blackburn. Content based retrieval and navigation of music, 1999. Mini-thesis, University of Southampton.
 
3
 
4
M. Dovey. An algorithm for locating polyphonic phrases within a polyphonic piece. In Proceedings of AISB Symposium on Musical Creativity, pages 48-53, Edinburgh, April 1999.
 
5
J. S. Downie. Evaluating a Simple Approach to Music Information Retrieval: Conceiving Melodic N-grams as Text. PhD thesis, University ofWestern Ontario, Faculty of Information and Media Studies, July 1999.
6
 
7
C. Iliopoulos, T. Lecroq, L. Mouchard, and Y. J. Pinzon. Computing approximate repetitions in musical sequences. In Proceedings of Prague Stringology Club Workshop PSCW'00, 2000.
 
8
K. Lemstr.om and J. Tarhio. Searching monophonic patterns within polyphonic sources. In Proceedings of the RIAO Conference, volume 2, pages 1261-1278, College of France, Paris, April 2000.
 
9
A. T. Lindsay. Using contour as a mid-level representation of melody. Master's thesis, MIT Media Lab, 1996.
10
11