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An immersive, multi-user, musical stage environment
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Source International Conference on Computer Graphics and Interactive Techniques archive
Proceedings of the 28th annual conference on Computer graphics and interactive techniques table of contents
Pages: 553 - 560  
Year of Publication: 2001
ISBN:1-58113-374-X
Authors
Matthew Reynolds  Physics and Media Group, MIT Media Laboratory, 20 Ames Street, Cambridge, MA
Bernd Schoner  ThingMagic LLC, Cambridge, MA
Joey Richards  Trimble Navigation Ltd, Sunnyvale, CA
Kelly Dobson  Physics and Media Group, MIT Media Laboratory, 20 Ames Street, Cambridge, MA
Neil Gershenfeld  Physics and Media Group, MIT Media Laboratory, 20 Ames Street, Cambridge, MA
Sponsor
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
Publisher
ACM  New York, NY, USA
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Downloads (6 Weeks): 2,   Downloads (12 Months): 46,   Citation Count: 3
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ABSTRACT

A multi-user, polyphonic sensor stage environment that maps position and gestures of up to four performers to the pitch and articulation of distinct notes is presented. The design seeks to provide multiple players on a stage with the feeling of a traditional acoustic instrument by giving them complete control over the instrument's expressive parameters and a clear causal connection between their actions and the resulting sound. The positions of the performers are determined by a custom ultrasonic tracking system, while hand motions are measured by custom-made gloves containing accelerometer units. Furthermore, juggling clubs are illuminated dynamically to make complex juggling patterns more apparent. The system is currently on tour with the Flying Karamazov Brothers juggling troupe.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
David Bianciardi and Ryan Ulyate. Interactive Dance Club, 1998. ACM SIGGRAPH.
 
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Ben Denckla and Patrick Pelletier. The technical documentation for Rogus McBogus, a MIDI library, 1996. Available at http://www.media.mit.edu/hyperins/rogus/home.html.
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Ralf Gelhaar. Sound=space: an interactive musical environement. Contemporary Music Review, 6(1):59-72, 1991.
 
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J. Paradiso and F. Sparacino. Optical tracking for music and dance performance. In A. Gruen and H. Kahmen, editors, Optical 3-D measurement techniques IV, pages 11-18. Herbert Wichmann Verlag, Heidelberg, 1997.
 
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Joseph A. Paradiso. The brain opera technology: New instruments and gestural sensors for musical interaction and performance. Journal of New Music Research, 28(2):130-149, 1999.
 
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Michel Waisvisz. The hands. In Proceedings International Computer Music Conference, pages 313-318, 1985.
 
13
M. Wanderly and M. Battier, editors. Trends in Gestural Control of Music. Editions IRCAM, Paris, 2000.
 
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Collaborative Colleagues:
Matthew Reynolds: colleagues
Bernd Schoner: colleagues
Joey Richards: colleagues
Kelly Dobson: colleagues
Neil Gershenfeld: colleagues