The Internet is changing the music industry

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The Internet is changing the music industry
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Source	Communications of the ACM archive Volume 44 , Issue 8 (August 2001) table of contents Pages: 62 - 68 Year of Publication: 2001 ISSN:0001-0782
Publisher	ACM New York, NY, USA
Bibliometrics	Downloads (6 Weeks): 193, Downloads (12 Months): 1177, Citation Count: 7

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REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

	1	Yannis Bakos, The emerging role of electronic marketplaces on the Internet, Communications of the ACM, v.41 n.8, p.35-42, Aug. 1998 [doi>10.1145/280324.280330]
	2	Global Software Piracy Report. A study conducted by international planning and research corporation; www.siia.net/news/releases/piracy/ 98globalpiracy.htm.
	3	Lacy, J., Snyder, J.H., and Maher, D.P. Music on the internet and the intellectual protection problem. In Proceedings of the IEEE International Symposium on Industrial Electronics, 1997, 77-83.
	4	Michael McCandless, The MP3 revolution, IEEE Intelligent Systems, v.14 n.3, p.8-9, May 1999 [doi>10.1109/5254.769875]
	5	Napster Helps RIAA Again; www.slashdot.org.
	6	Noll, P. MPEG digital audio coding. IEEE Signal Processing Magazine 14, 5 (May 1997), 59-81.
	7	Paez, M.F. and Anderman, J.M. Digital music and the digital millennium copyright act: Copyright piracy, liability, and licensing. Working Report, Lowenstein Sandler PC, 1999.
	8	Recording Industry Association of America; www.riaa.org.
	9	Secure Digital Music Initiative Specifications Version 1; www.sdmi.org.
	10	Silver, J., Interview at the digital distribution and the music industry meeting, 1999; www.firstconf.com/digitalmusic.

CITED BY 7

	Thomas S. Messerges , Ezzat A. Dabbish, Digital rights management in a 3G mobile phone and beyond, Proceedings of the 3rd ACM workshop on Digital rights management, October 27-27, 2003, Washington, DC, USA
	Eric K. Clemons , Karl R. Lang, The Decoupling of Value Creation from Revenue: A Strategic Analysis of the Markets for Pure Information Goods, Information Technology and Management, v.4 n.2-3, p.259-287, April-July 2003
	Robert F. Easley , John G. Michel , Sarv Devaraj, The MP3 open standard and the music industry's response to Internet piracy, Communications of the ACM, v.46 n.11, p.90-96, November 2003
	François Pachet, Content management for electronic music distribution, Communications of the ACM, v.46 n.4, p.71-75, April 2003
	Amy Voida , Rebecca E. Grinter , Nicolas Ducheneaut , W. Keith Edwards , Mark W. Newman, Listening in: practices surrounding iTunes music sharing, Proceedings of the SIGCHI conference on Human factors in computing systems, April 02-07, 2005, Portland, Oregon, USA
	Janice Y. Tsai , Lorrie Faith Cranor , Scott Craver, Vicarious infringement creates a privacy ceiling, Proceedings of the ACM workshop on Digital rights management, October 30-30, 2006, Alexandria, Virginia, USA
	Jialie Shen , John Shepherd , Bin Cui , Kian-Lee Tan, A novel framework for efficient automated singer identification in large music databases, ACM Transactions on Information Systems (TOIS), v.27 n.3, p.1-31, May 2009

INDEX TERMS

Primary Classification:
K. Computing Milieux
K.4 COMPUTERS AND SOCIETY
K.4.1 Public Policy Issues
Subjects: Intellectual property rights

General Terms:
Security

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When music is recorded digitally, it can be perfectly reproduced, and playback quality is high. Efficient compression techniques such as MP3, high-speed broadband networks, and cheap data storage make it feasible to store music files on Internet s more...

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