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ABSTRACT
When Communications of the ACM began publication in 1959, the members of ACM's Editorial Board made the following remark as they described the purposes of ACM's periodicals [2]: “If computer programming is to become an important part of computer research and development, a transition of programming from an art to a disciplined science must be effected.” Such a goal has been a continually recurring theme during the ensuing years; for example, we read in 1970 of the “first steps toward transforming the art of programming into a science” [26]. Meanwhile we have actually succeeded in making our discipline a science, and in a remarkably simple way: merely by deciding to call it “computer science.”
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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1
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Bailey, Nathan. Tile Universal Etymological English Dictionary. T. Cox, London, 1727. See "Art," "Liberal," and "Science."
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2
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3
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Bentham, Jeremy. The Rationale of Reward. Trans. from Thdorie des pehws et des re'compenses, 1811, by Richard Smith, J. & H. L. Hunt, London, 1825.
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4
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The Century Dictionary and Cyclopedia 1. The Century Co., New York, 1889.
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5
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Clementi, Muzio. The Art of Playing the Piano. Trans. from L'art de jouer le pianoforte by Max Vogrich. Schirmer, New York, 1898.
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6
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Colvin, Sidney. "Art." Encyclopaedia Britannica, eds 9, 11, 12, 13, 1875-1926.
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7
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Coxeter, H. S. M. Convocation address, Proc. 4th Canadian Math. Congress, 1957, pp. 8-10.
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8
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Dijkstra, Edsger W. EWD316: A Short Introduction to the Art of Programming. T. H. Eindhoven, The Netherlands, Aug. 1971.
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9
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10
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Fielden, Thomas. The Science of Pianoforte Technique. Macmillan, London, 1927.
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11
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Gore, George. The Art of Scientific Discovery. Longmans, Green, London, 1878.
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12
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Hamilton, William. Lectures on Logic 1. Win. Blackwood, Edinburgh, 1874.
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13
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Hodges, John A. Elementary Photography: The "Amateur Photographer" Library 7. London, 1893. Sixth ed, revised and enlarged, 1907, p. 58.
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14
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Howard, C. Frusher. Howard's Art of Computation and golden rule for equation of payments for schools, business colleges and self-culture .... C.F. Howard, San Francisco, 1879.
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15
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Hummel, J.N. The Art of Playing the Piano Forte. Boosey, London, 1827.
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16
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17
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Kirwan, Richard. Elements of Mineralogy. Elmsly, London, 1784.
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18
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19
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20
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Knuth, Donald E. Seminumerical Algorithms: The Art of Computer Programmhrg 2. Addison-Wesley, Reading, Mass., 1969.
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21
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22
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Kochevitsky, George. The Art of Piano PlaybTg: A Scientific Approach. Summy-Birchard, Evanston, II1., 1967.
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23
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Lehmer, Emma. Number theory on the SWAC. Proc. Syrup. Applied Math. 6, Amer. Math. Soc. (1956), 103-108.
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24
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Mahesh Yogi, Maharishi. The Science of Behtg and Art of Livhrg. Allen & Unwin, London, 1963.
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25
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Malevinsky, Moses L. The Science of Playwriting. Brentano's, New York, 1925.
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26
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27
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Marckwardt, Albert H, Preface to Funk and Wagnall's Standard College Dictionary. Harcourt, Brace & World, New York, 1963, vii.
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28
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Mill, John Stuart. A System Of Logic, Ratioehlative and hrductive. London, 1843. The quotations are from the introduction, 2 and from Book 6, Chap. 11 (12 in later editions), 15.
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29
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Mueller, Robert E. Tire Science of Art. John Day, New York, 1967.
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30
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Parsons, Albert Ross. The Science of Pianoforte Practice. Schirmer, New York, 1886.
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31
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Pedoe, Daniel. The Gentle Art of Mathematics. English u. Press, London, 1953.
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32
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Ruskin, John. Tire Stones of Venice 3. London, 1853.
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33
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Salton, G.A. Personal communication, June 21, 1974.
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34
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Snow, C.P. The two cultures. The New Statesman and Nation 52 (Oct. 6, 1956), 413-414.
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35
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Snow, C.P. The Two Cultures: and a Second Look. Cambridge University Press, 1964.
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CITED BY 17
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K. G. Walter , S. I. Schaen , W. F. Ogden , W. C. Rounds , D. G. Shumway , D. D. Schaeffer , K. J. Biba , F. T. Bradshaw , S. R. Ames , J. M. Gilligan, Structured specification of a Security Kernel, ACM SIGPLAN Notices, v.10 n.6, p.285-293, June 1975
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