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Comments on Moorer's music and computer composition
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Communications of the ACM archive
Volume 15 ,  Issue 11  (November 1972) table of contents
Pages: 1000 - 1001  
Year of Publication: 1972
ISSN:0001-0782
Author
Stephen W. Smoliar  Technion-Isreal Institute of Technology, Haifa, Israel
Publisher
ACM  New York, NY, USA
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ABSTRACT

J.A. Moorer's “Music and Computer Composition” [1] was a distressing communication. While I realize that musical expertise is probably beyond the realm of the editorial staff, I must object to both the naiveté and faulty reasoning on the musical side of this article. In a nutshell, Moorer presents us with many paragraphs of philosophical meanderings to back up a few results which are, by his own admission, inadequate. From this he concludes, “It is also hoped that this experiment may help dispel doubts that musical composition is ‘sacred’ and unreachable by mechanical methods.” From any serious musical point of view, such a conclusion is almost vacuous.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

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Smoliar, Stephen W. A parallel processing model of musical structures. Ph.D. Thesis, MIT, Cambridge, Mass., 1971.
 
1
Schoenberg, A. Models for Beginners in Composition.
 
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Schoenberg, A. Fundamentals of Musical Compositon.