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Image inpainting
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Source International Conference on Computer Graphics and Interactive Techniques archive
Proceedings of the 27th annual conference on Computer graphics and interactive techniques table of contents
Pages: 417 - 424  
Year of Publication: 2000
ISBN:1-58113-208-5
Authors
Marcelo Bertalmio  Electrical and Computer Engineering, University of Minnesota, Minneapolis, MN
Guillermo Sapiro  Electrical and Computer Engineering, University of Minnesota, Minneapolis, MN
Vincent Caselles  Escola Superior Politecnica, Universitat Pompeu Fabra
Coloma Ballester  Escola Superior Politecnica, Universitat Pompeu Fabra
Sponsor
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
Publisher
ACM Press/Addison-Wesley Publishing Co.  New York, NY, USA
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Downloads (6 Weeks): 75,   Downloads (12 Months): 510,   Citation Count: 75
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ABSTRACT

Inpainting, the technique of modifying an image in an undetectable form, is as ancient as art itself. The goals and applications of inpainting are numerous, from the restoration of damaged paintings and photographs to the removal/replacement of selected objects. In this paper, we introduce a novel algorithm for digital inpainting of still images that attempts to replicate the basic techniques used by professional restorators. After the user selects the regions to be restored, the algorithm automatically fills-in these regions with information surrounding them. The fill-in is done in such a way that isophote lines arriving at the regions' boundaries are completed inside. In contrast with previous approaches, the technique here introduced does not require the user to specify where the novel information comes from. This is automatically done (and in a fast way), thereby allowing to simultaneously fill-in numerous regions containing completely different structures and surrounding backgrounds. In addition, no limitations are imposed on the topology of the region to be inpainted. Applications of this technique include the restoration of old photographs and damaged film; removal of superimposed text like dates, subtitles, or publicity; and the removal of entire objects from the image like microphones or wires in special effects.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
S. Walden. The Ravished Image. St. Martin's Press, New York, 1985.
 
2
G. Emile-Male. The Restorer's Handbook of Easel Painting. Van Nostrand Reinhold, New York, 1976.
 
3
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4
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5
A.C. Kokaram, R.D. Morris, W.J. Fitzgerald, P.J.W. Rayner. Interpolation of missing data in image sequences. IEEE Trans-actions on Image Processing 11(4), 1509-1519, 1995.
 
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13
C. Kenney and J. Langan. A new image processing primitive: reconstructing images from modified flow fields. University of California Santa Barbara Preprint, 1999.
 
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A. Marquina and S. Osher. Explicit algorithms for a new time dependent model based on level set motion for nonlinear de-bluring and noise removal. UCLA CAM Report 99-5, January 1999.
 
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S. Osher, personal communication, October 1999.
 
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A. Bertozzi The mathematics of moving contact lines in thin liquid films. Notices Amer. Math. Soc., Volume 45, Number 6, pp. 689-697, June/July 1998.
 
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T. Chan and J. Shen, "Mathematical models for local deter-ministic inpaintings," UCLA CAM TR 00-11, March 2000.
 
24
C. Ballester, M. Bertalmio, V. Caselles, G. Sapiro, and J. Verdera, "Filling-in by joint interpolation of vector fields and grey levels," University of Minnesota IMA TR, April 2000.

CITED BY  78

Collaborative Colleagues:
Marcelo Bertalmio: colleagues
Guillermo Sapiro: colleagues
Vincent Caselles: colleagues
Coloma Ballester: colleagues