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ABSTRACT
We approach the problem of stylistic motion synthesis by learning motion patterns from a highly varied set of motion capture sequences. Each sequence may have a distinct choreography, performed in a distinct sytle. Learning identifies common choreographic elements across sequences, the different styles in which each element is performed, and a small number of stylistic degrees of freedom which span the many variations in the dataset. The learned model can synthesize novel motion data in any interpolation or extrapolation of styles. For example, it can convert novice ballet motions into the more graceful modern dance of an expert. The model can also be driven by video, by scripts or even by noise to generate new choreography and synthesize virtual motion-capture in many styles.
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Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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CITED BY 79
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Robert D. Kalnins , Lee Markosian , Barbara J. Meier , Michael A. Kowalski , Joseph C. Lee , Philip L. Davidson , Matthew Webb , John F. Hughes , Adam Finkelstein, WYSIWYG NPR: drawing strokes directly on 3D models, ACM Transactions on Graphics (TOG), v.21 n.3, July 2002
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Jernej Barbič , Alla Safonova , Jia-Yu Pan , Christos Faloutsos , Jessica K. Hodgins , Nancy S. Pollard, Segmenting motion capture data into distinct behaviors, Proceedings of the 2004 conference on Graphics interface, p.185-194, May 17-19, 2004, London, Ontario, Canada
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Li Zhang , Marco Gillies , Kulwant Dhaliwal , Amanda Gower , Dale Robertson , Barry Crabtree, E-Drama: Facilitating Online Role-play using an AI Actor and Emotionally Expressive Characters, International Journal of Artificial Intelligence in Education, v.19 n.1, p.5-38, January 2009
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