Who or what is making the music

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Who or what is making the music: music creation in a machine age

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Creativity and Cognition archive
Proceedings of the 3rd conference on Creativity & cognition table of contents

Loughborough, United Kingdom

Pages: 57 - 62

Year of Publication: 1999

ISBN:1-58113-078-3

Author

Tang-Chun Li

Faculty of Music, McGill University, Montreal, QC H3A 1E3 Canada

Sponsor

SIGCHI: ACM Special Interest Group on Computer-Human Interaction

Publisher

ACM New York, NY, USA

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Downloads (6 Weeks): 5, Downloads (12 Months): 33, Citation Count: 1

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REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

	1	Austin, L., and T. Clark. 1989. Learning to Compose. Wm. C. Brown Publishers, Dubuque, Iowa.
	2	Margaret A. Boden, The creative mind: myths and mechanisms, Basic Books, Inc., New York, NY, 1991
	3	Brun, H. 1969. Infraudibles. In Music by Computers, H. Von Foerster and J. Beauchamp, ed. New York: John Wiley & Sons.
	4	David Cope, Computers and musical style, A-R Editions, Inc., Madison, WI, 1991
	5	Cope, D. 1996. Experiments in Musical Intelligence. A-R Editions, Madison, Wisconsin.
	6	Cross, I. 1993. The Chinese music box. Interce, vol. 22(1993), pp. 165-172.
	7	Eaton, M. 1995. Artificial creativity: enculturing computers. Leonardo, vol. 28, no. 3, pp. 207-213.
	8	Kunze, T., and H. Taube. 1996. SEE -- A structure event editor: visualizing compositional data in Common Music. In Proceedings: KMC 1997.
	9	ICMC. 1993. Positional papers for the Second Panel on Algorithmic Music. Proceeding: ZCMC 2993.
	10	Lansky, P. 1990. A view corn the bus: when machines make music. Perspectives of New Music, Vol. 28, Summer 1990, pp. 102-109.
	11	Laske, 0. 1992. The humanities as sciences of the artificial. Interface, vol. 21, pp. 239-255.
	12	Gareth Loy, Composing with computers: a survey of some compositional formalisms and music programming languages, Current directions in computer music research, MIT Press, Cambridge, MA, 1989
	13	Paradiso, J. A. 1998. New instruments and gestural sensors for musical interaction and performance. http://physics.www.media.mit.edu/publications/pap ers/98.3..lNMR-Brain-Gpera.pdf.
	14	PG Music Inc. 1998. Band in A Box.
	15	Roads, C. 1996. Algorithmic composition systems and Representations and strategies for algorithmic composition. Computer Music Tutorial. MIT Press, Cambridge, Mass.
	16	Robert Rowe, Interactive music systems: machine listening and composing, MIT Press, Cambridge, MA, 1992
	17	Searle, J. R. 1980. Minds, brains, and programs. Behavioral and Brain Sciences, 3 (1980), pp. 473- 497.
	18	Sessions, R. 1950.
	19	Mark Stefik , Stephen Smoliar, The creative mind: myths and mechanisms: six reviews and a response, Artificial Intelligence, v.79 n.1, p.65-67, Nov. 1995 [doi>10.1016/0004-3702(95)00067-4]
	20	Tipei, S. 1995. For an intelligent use of computers in music composition. Proceedings: ZCMC 2995.
	21	Truax, B. 1986. Computer music language design and the composing process. In The Language of Electroacoustic Music, S. Emmerson, Ed. Macmillan Press Ltd.