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Introducing creativity to cognition
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Source Creativity and Cognition archive
Proceedings of the 3rd conference on Creativity & cognition table of contents
Loughborough, United Kingdom
Pages: 3 - 6  
Year of Publication: 1999
ISBN:1-58113-078-3
Authors
Linda Candy  LUTCHI Research Centre, Department of Computer Science, Loughborough University, Loughborough, Leicestershire LE11 3TU, UK
Ernest Edmonds  LUTCHI Research Centre, Department of Computer Science, Loughborough University, Loughborough, Leicestershire LE11 3TU, UK
Sponsor
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
Publisher
ACM  New York, NY, USA
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Downloads (6 Weeks): 20,   Downloads (12 Months): 155,   Citation Count: 5
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REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
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Candy, L. Modelling the Creative Product versus Supporting Human Creativity. AISB Quarterly, 81, 1992: pp 31-34.
 
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Candy, L. Computers and Creativity Support: Knowledge, Visualization and Collaboration. Knowledge-Based Systems, 9 (6), 1997: pp 3-13.
 
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Candy, L. Creative Interactions with Knowledge and Artifacts: Invited presentation to the International Workshop on Collective Creativity in Design through Concept Externalization, institute of Science and Technology, Nara, Japan, March 1998.
 
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Candy, L. and Edmonds, E. A. (editors). Proceedings of the International Symposium Creativity and Cognition. Loughborough University, 1993.
 
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Candy, L. and Edmonds, E. A. (editors). Proceedings of the Second International Symposium Creativity and Cognition. Loughborough University, 1996.
 
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Candy, L. and Edmonds, E. A. Creative design of the Lotus bicycle: Implications for Knowledge Support Systems Research, Design Studies, 17 (1), 1996: pp 71- 90.
 
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Cohen, H. The Robotic Artist: Aaron in Living Color. The Computer Museum, Boston, 1995.
 
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Cohen, H. A Self-def'ming Game for One Player, In this Proceedings, 1999.
 
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Constructivism: Man versus Environment. Stichting PRO, Dordrecht, NL. 1989.
 
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Creative Industries Mapping Document, Department of Culture, Media and Sport, H.M.S.O., London, 1998.
 
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Csikszentmihalyi, M. Creativity: Flow and the Psychology of Discovery and Invention, HarperCollins Publishers: New York, 1996.
 
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Edmonds, E.A., Knowledge-based Systems for Creativity, Gero, J. S. and Maher, M. L. (editors) Modeling Creativity & Knowledge-based Creative Design, Lawrence Erlbaum, Hillsdale, New Jersey, 1993: pp 259-27 I.
 
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Edmonds, E.A. Introduction: Computer-based Systems that Support Creativity, Dartnall, T. (editor) Artificial Intelligence and Creativity, Kluwer Academic, Dordrecht, NL.1994: pp 327-334.
 
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Frith, C. and Law, J. Cognitive and Physiological Processes Underlying the Art of Drawing. Candy, L. and Edmonds, E. A. (editors). Proceedings of the International Symposium Creativity and Cognition. Loughborough University, 1993: pp 99-104.
 
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Lawson, B. How Designer's Think. The Architectural Press, Butterworths, London, 1980.
 
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Minsky, M. The Emotion Machine (to appear)
 
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Minsky, M. The Emotion Machine : From Pain to Suffering, In this Proceedings, 1999.
 
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Shneiderman, B. User Interfaces for Creativity Support Tools, 1999, In this Proceedings.
 
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Stelarc. From Zombies To Cyborg Bodies: Exskeleton, Extra Ear And Avatars, In this Proceedings, 1999.
 
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Stelarc web address: http://www.stelarc.va.com.au/


Collaborative Colleagues:
Linda Candy: colleagues
Ernest Edmonds: colleagues