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Projected realities: conceptual design for cultural effect
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Source Conference on Human Factors in Computing Systems archive
Proceedings of the SIGCHI conference on Human factors in computing systems: the CHI is the limit table of contents
Pittsburgh, Pennsylvania, United States
Pages: 600 - 607  
Year of Publication: 1999
ISBN:0-201-48559-1
Authors
William Gaver  Royal College of Art, London
Anthony Dunne  Royal College of Art, London
Sponsor
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
Publisher
ACM  New York, NY, USA
Bibliometrics
Downloads (6 Weeks): 32,   Downloads (12 Months): 152,   Citation Count: 40
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ABSTRACT

As a part of a European Union sponsored project, we have proposed a system which aggregates peoples expressions over a widening network of public electronic displays in a massive Dutch housing development. Reflecting ideas from contemporary arts as well as from research on media spaces, this is an example of a conceptual design intended to produce meaningful effects on a local culture. In this paper, we describe the methods and ideas that led to this proposal, as an example of research on technologies from the traditions of artist-designers.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
Andreotti, L. and Costa, X. (eds.) Theory of the d~rive and other Situationist writings on the city. Museo d'Art Contemporani de Barcelona, 1996.
 
2
Special issue on the Bijlmer, Archis. Rotterdam, 1997(3).
 
3
Atelier van Lieshout, A manual. Cologne, K61nischer Kunstverein and Museum Boijmans van Beuningen, 1997.
4
 
5
Borja-Villel, M. (ed.) Krzysztof Wodiczko: Instruments, projeccions, vehicles. Fundaci6 Antoni T~pies, Barcelona, 1992.
 
6
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8
Gaver, W. Affordances for interaction: The social is material for design. Ecological Psychology 8, 2 (1996), 111-130.
 
9
Godfrey, T. Conceptual art. Phaidon Press, London, 1998.
 
10
Levy, J. Surrealism. First printed by Black Sun Press in 1936; reprinted by Da Capo Press, 1995.
 
11
Plant, S. The mo.st radical gesture: The Situationist International in a postmodern age, London, Routledge, 1992.
12

CITED BY  40

Collaborative Colleagues:
William Gaver: colleagues
Anthony Dunne: colleagues