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 REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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Ackermann P., Developing object-oriented multimedia software, Dpunkt, Heidelberg, 1996.
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Assayag G., Agon C., Fineberg J., Hanappe P., "An Object Oriented Visual Environment For Musical Composition", Proceedings of the International Computer Music Conference, pp. 364-367, Thessaloniki, 1997.
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Alan Borning , Richard Anderson , Bjorn Freeman-Benson, Indigo: a local propagation algorithm for inequality constraints, Proceedings of the 9th annual ACM symposium on User interface software and technology, p.129-136, November 06-08, 1996, Seattle, Washington, United States
[doi> 10.1145/237091.237110]
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Alan Borning , Richard Lin , Kim Marriott, Constraints for the web, Proceedings of the fifth ACM international conference on Multimedia, p.173-182, November 09-13, 1997, Seattle, Washington, United States
[doi> 10.1145/266180.266361]
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Dai P., Eckel G., G~Sbel M., Hasenbrink F., Lalioti V., Lechner U., Strassner J., Tramberend H., Wesche G., "V'mual Spaces: VR Projection System Technologies and Applications", Tutorial Notes, Eurographics '97, Budapest, 19~7.
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Eckel G., "Exploring Musical Space by Means of Virtual Architecture", Proceedings of the 8th Iutemafional Symposium on Electronic Art, School of the Art Institute of Chicago, 1997.
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Hosebe I-L, Matsuoka S., Yonezawa A., "Generalized local propagation: a framework for solving constraint hierarchies", Proceedings of CP' 96, Boston, 1996.
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Hower W., Graf W. H., "a Bibliographical Survey of Constraint-Based Approaches to CAD, Graphics, Layout, Visualization, and related topics", Knowledge-Based Systems, Elsevier, vol. 9, n. 7, pp. 449-464, 1996.
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Lopez G., Freeman-Benson B., Borning A., "Kaleidoscope: A Constraint Imperative Programming Language", In Constraint Programming, B. Mayoh, E. Tougu, J. Penjam (Eds.), NATO Advanced Science Institute Series, Series F: Computer and System Sciences, Vol 131, Springer-Verlag, pages 313-329, 1994.
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I~k, "hflDi musical insmmaent digital interface specification t.0", Los Angeles, International MIDI Association, 1983.
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Jot J.-M., Warusfel O., "A Real-Time Spatial Sound Processor for Music and Virtual Reality Applications", Proceedings oflCMC, 1995.
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Laurson M., Duthen J., "PatchWork, a graphical language in PreForm", Proceedings of ICMC, San Francisco, 172-175, 1989.
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Meyer L., Emotions and meaning in music, University of Chicago Press, 1956.
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Odarey Y., Lequay H., '~/lidiShare: a real time multitasks software module for Midi applications", Proceedings of ICMC, San Francisco, 1989.
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Pachet F., "Computer Analysis of Jazz Chord Sequences. Is Solar a Blues ?", Readings in Music and Artificial Intelligence, Hanvood Academic Publishers, to appear, 1998.
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Pachet F., Ramalho G., Carrive J. "Representing temporal musical objects and reasoning in the MusES system", Journal of New Music Research, vol. 25, n. 3, pp. 252-275, 1996.
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Sloan Donald, "Aspects of Music Representation in Hytime/SMDL", Computer Music Journal, Cambridge, MA, MIT Press, 17:4, Winter 1993.
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SMDL, Draft International Standard, ISO/IEC CD 10743, 1995.
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Taube H., "Common Music: A Music Composition Language in Common Lisp and CLOS", Computer Music Journal, vol. 15, n~ 2, 21-32, 1991.
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