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Computer-generated watercolor
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Source International Conference on Computer Graphics and Interactive Techniques archive
Proceedings of the 24th annual conference on Computer graphics and interactive techniques table of contents
Pages: 421 - 430  
Year of Publication: 1997
ISBN:0-89791-896-7
Authors
Cassidy J. Curtis  University of Washington
Sean E. Anderson  Stanford University
Joshua E. Seims  University of Washington
Kurt W. Fleischer  Pixar Animation Studios
David H. Salesin  University of Washington
Sponsor
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
Publisher
ACM Press/Addison-Wesley Publishing Co.  New York, NY, USA
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Downloads (6 Weeks): 18,   Downloads (12 Months): 174,   Citation Count: 79
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REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
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Tunde Cockshott, John Patterson, and David England. Modelling the texture of paint. Computer Graphics Forum (Eurographics '92), 11(3):217-226, September 1992.
 
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Robert D. Deegan, Olgica Bakajin, Todd F. Dupont, Greg Huber, Sidney R. Nagel, and Thomas A. Witten. Contact line deposits in an evaporating drop. James Franck Institute (University of Chicago) preprint, October 1996.
 
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Jeanne Dobie. Making Color Sing. Watson-Guptill, 1986.
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Qinglian Guo. Generating realistic calligraphy words. IEICE Transactions on Fundamentals of Electronics Communications and Computer Sciences, E78A(11):1556-1558, November 1996.
 
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Qinglian Guo and T. L. Kunii. Modeling the diffuse painting of sumie. In T. L. Kunii, editor, IFIP Modeling in Comnputer Graphics. 1991.
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Paul Haeberli and Douglas Voorhies. Image processing by linear interpolation and extrapolation. IRIS Universe Magazine, (28), Aug 1994.
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Ron Harmon. personal communication. Techical Manager, Daniel Smith Artists' Materials, 1996.
 
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D.B. Judd and G. Wyszecki. Color in Business, Science, andlndustry. John Wiley and Sons, New York, 1975.
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G. Kortum. Reflectance Spectroscopy. Springer-Verlag, 1969.
 
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R Kubelka. New contributions to the optics of intensely lightscattering material, part ii: Non-homogeneous layers. J. Optical Society, 44:330, 1954.
 
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Wolfgang Leister. Computer generated copper plates. Computer Graphics Forum, 13(1):69-77, 1994.
 
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James A. Liggett. Basic equations of unsteady flow. Unsteady Flow in Open Channels, Vol. 1, eds: K. Mahmood and V. Yevjevich, Water Resources Publications, Fort Collins, Colorado, 1975.
 
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Ralph Mayer. The Artist's Handbook of Materials and Techniques. Penguin Books, 5 edition, 1991.
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Don Rankin. Mastering Glazing Techniques in Watercolor. Watson- Guptill, 1986.
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David Small. Simulating watercolor by modeling diffusion, pigment, and paper fibers. In Proceedings of SPIE'91. February 1991.
 
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Ray Smith. The Artist's Handbook. Alfred A. Knopf, 1987.
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Zoltan Szabo. Creative Watercolor Techniques. Watson-Guptill, 1974.
 
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C. B. Vreugdenhil. Numerical Methods for Shallow-Water Flow. Kluwer Academic Publishers, 1994.
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CITED BY  80

Collaborative Colleagues:
Cassidy J. Curtis: colleagues
Sean E. Anderson: colleagues
Joshua E. Seims: colleagues
Kurt W. Fleischer: colleagues
David H. Salesin: colleagues