ACM Home Page
Please provide us with feedback. Feedback
Digital Library logoTake a look at the new version of this page: [ beta version ]. Tell us what you think.
Exploring melodic variance in rhythmic haptic stimulus design
Full text PdfPdf (732 KB)
Source
ACM International Conference Proceeding Series; Vol. 324 archive
Proceedings of Graphics Interface 2009 table of contents
Kelowna, British Columbia, Canada
SESSION: Haptics and novel interaction techniques table of contents
Pages: 133-140  
Year of Publication: 2009
ISBN ~ ISSN:0713-5424 , 978-1-56881-470-4
Authors
Bradley A. Swerdfeger  The University of British Columbia
Jennifer Fernquist  The University of British Columbia
Thomas W. Hazelton  The University of British Columbia
Karon E. MacLean  The University of British Columbia
Sponsor
: The Canadian Human-Computer Communications Society / Société Canadienne du Dialogue Humaine Machine (CHCCS/SCDHM)
Publisher
Canadian Information Processing Society  Toronto, Ont., Canada, Canada
Bibliometrics
Downloads (6 Weeks): 6,   Downloads (12 Months): 53,   Citation Count: 0
Additional Information:

abstract   references   index terms   collaborative colleagues  

Tools and Actions: Review this Article  

ABSTRACT

Haptic icons are brief, meaningful tactile or force stimuli designed to support the communication of information through the often-underutilized haptic modality. Challenges to producing large, reusable sets of haptic icons include technological constraints and the need for broadly-applicable and validated design heuristics to guide the process. The largest set of haptic stimuli to date was produced through systematic use of heuristics for monotone rhythms. We hypothesized that further extending signal expressivity would continue to enhance icon learnability. Here, we introduce melody into the design of rhythmic stimuli as a means of increasing expressiveness while retaining the principle of systematic design, as guided by music theory. Haptic melodies are evaluated for their perceptual distinctiveness; experimental results from grouping tasks indicate that rhythm dominates user categorization of melodies, with frequency and amplitude potentially left available as new dimensions for the designer to control within-group variation.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
 
2
S. Brewster, P. Wright, and A. Edwards. Experimentally derived guidelines for the creation of earcons. In HCI '95, 1995.
 
3
 
4
L. M. Brown. Tactons: Structured Vibrotactile Messages for NonVisual Information Display. PhD thesis, University of Glasgow, April 2007.
 
5
 
6
 
7
T. W. Deacon. The Symbolic Species. W. W. Norton & Company Ltd., 1997.
8
 
9
 
10
K. Hevner. The affective character of major and minor modes in music. American Journal of Psychology, 47:103--118, 1935.
11
 
12
M. Hollins, R. Faldowski, S. Rao, and F. Young. Perceptual dimensions of tactile surface textures: A multidimensional scaling analysis. Perception and Psychophysics, 54:697--705, 1993.
 
13
T. Kaaresoja, L. Brown, and J. Linjama. Snap-Crackle-Pop: Tactile Feedback for Mobile Touch Screens. Proceedings of Eurohaptics 2006, pages 565--566, 2006.
 
14
S. Lederman. Auditory texture perception. Perception, 8(1):93--103, 1979.
15
 
16
 
17
K. MacLean and M. Enriquez. Perceptual design of haptic icons. In Eurohaptics, Dublin, UK, July 2003.
 
18
G. Miller. The magical number seven, plus or minus two: some limits on our capability for processing information. Psychological Review, 63:81--97, 1956.
 
19
S. E. Newman, A. D. Hall, D. J. Foster, and V. Gupta. Learning as a function of haptic discriminability among items. The American Journal of Psychology, 97(3):359--372, 1984.
 
20
 
21
 
22
I. Peretz, L. Gagnon, and B. Bouchard. Music and emotion: perceptual determinants, immediacy and isolation after brain damage. Cognition, 68:111--141, 1998.
 
23
M. Rigg. The mood effects of music: A comparison of data from four investigators. Journal of Psychology, 58:427--438, 1964.
 
24
D. Ternes. Building large sets of haptic icons: Rhythm as a design parameter, and between-subjects mds for evaluation. Master's thesis, University of British Columbia, 2007.
 
25
 
26
J. van Erp and M. Spape. Distilling the underlying dimensions of tactile melodies. In Eurohaptics, pages 111--120, 2003.
 
27
M. Weiser and J. Brown. Designing calm technology. Powergrid Journal, 1.01:94--110, 1996.

Collaborative Colleagues:
Bradley A. Swerdfeger: colleagues
Jennifer Fernquist: colleagues
Thomas W. Hazelton: colleagues
Karon E. MacLean: colleagues