ACM Home Page
Please provide us with feedback. Feedback
3D-aware image editing for out of bounds photography
Full text PdfPdf (10.97 MB)
Source
ACM International Conference Proceeding Series; Vol. 324 archive
Proceedings of Graphics Interface 2009 table of contents
Kelowna, British Columbia, Canada
SESSION: Image editing: depth, focus, and balance table of contents
Pages 47-54  
Year of Publication: 2009
ISBN ~ ISSN:0713-5424 , 978-1-56881-470-4
Authors
Amit Shesh  Illinois State University
Antonio Criminisi  Microsoft Research, Cambridge United Kingdom
Carsten Rother  Microsoft Research, Cambridge United Kingdom
Gavin Smyth  Microsoft Research, Cambridge United Kingdom
Sponsor
: The Canadian Human-Computer Communications Society / Société Canadienne du Dialogue Humaine Machine (CHCCS/SCDHM)
Publisher
Canadian Information Processing Society  Toronto, Ont., Canada, Canada
Bibliometrics
Downloads (6 Weeks): 14,   Downloads (12 Months): 43,   Citation Count: 0
Additional Information:

abstract   references   index terms   collaborative colleagues  

Tools and Actions: Review this Article  

ABSTRACT

In this paper, we propose algorithms to manipulate 2D images in a way that is consistent with the 3D geometry of the scene that they capture. We present these algorithms in the context of creating "Out of Bounds" (OOB) images - compelling, depth-rich images generated from single, conventional 2D photographs (fig. 1). Starting from a single image our tool enables rapid OOB prototyping; i.e. the ability to quickly create and experiment with many different variants of the OOB effect before deciding which one best expresses the users' artistic intentions. We achieve this with a flexible work-flow driven by an intuitive user interface.

The rich 3D perception of the final composition is achieved by exploiting two strong cues -- occlusions and shadows. A realistic-looking 3D frame is interactively inserted in the scene between segmented foreground objects and the background to generate novel occlusions and enhance the scene's perception of depth. This perception is further enhanced by adding new, realistic cast shadows. The key contributions of this paper are: (i) new algorithms for inserting simple 3D objects like frames in 2D images requiring minimal camera calibration, and (ii) new techniques for the realistic synthesis of cast shadows, even for complex 3D objects. These algorithms, although presented for OOB photography, may be directly used in general image composition tasks.

With our tool, untrained users can turn ordinary photos into compelling OOB images in seconds. In contrast with existing workflows, at any time the artist can modify any aspect of the composition while avoiding time-consuming pixel painting operations. Such a tool has important commercial applications, and is much more suitable for OOB prototyping than existing image editors.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
 
2
X. Cao, Y. Shen, M. Shah, and H. Foroosh. Single view compositing with shadows. The Visual Computer, 21(8--10):639--648, 2005.
 
3
P. Cavanaugh. The artist as neuroscientist. Nature, 434:301--307, 2005.
 
4
P. Cavanaugh and Y. Leclerc. Shape from shadows. J. Experimental Psychology, 15:3--27, 1989.
5
 
6
7
8
 
9
10
 
11
 
12
 
13
D. Kersten, D. Knill, P. Mamassian, and Bulthoff. Illusory motion from shadows. Nature, 379(6560):31, 1996.
14
 
15
D. Liebowitz, A. Criminisi, and A. Zisserman. Creating architectural models from images. In Proc. Eurographics, pages 39--50, 1999.
 
16
 
17
 
18
19
 
20
21
22

Collaborative Colleagues:
Amit Shesh: colleagues
Antonio Criminisi: colleagues
Carsten Rother: colleagues
Gavin Smyth: colleagues