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Data-driven exploration of musical chord sequences
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International Conference on Intelligent User Interfaces archive
Proceedings of the 13th international conference on Intelligent user interfaces table of contents
Sanibel Island, Florida, USA
SESSION: Novel input & output table of contents
Pages 227-236  
Year of Publication: 2009
ISBN:978-1-60558-168-2
Authors
Eric Nichols  Indiana University, Bloomington, IN, USA
Dan Morris  Microsoft Research, Redmond, WA, USA
Sumit Basu  Microsoft Research, Redmond, WA, USA
Sponsors
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
ACM: Association for Computing Machinery
SIGART: ACM Special Interest Group on Artificial Intelligence
Publisher
ACM  New York, NY, USA
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ABSTRACT

We present data-driven methods for supporting musical creativity by capturing the statistics of a musical database. Specifically, we introduce a system that supports users in exploring the high-dimensional space of musical chord sequences by parameterizing the variation among chord sequences in popular music. We provide a novel user interface that exposes these learned parameters as control axes, and we propose two automatic approaches for defining these axes. One approach is based on a novel clustering procedure, the other on principal components analysis. A user study compares our approaches for defining control axes both to each other and to an approach based on manually-assigned genre labels. Results show that our automatic methods for defining control axes provide a subjectively better user experience than axes based on manual genre labeling.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
Allan, M., Williams, C.K.I. Harmonising Chorales by Probabilistic Inference. Proc NIPS 2005.
 
2
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Morris, D., Simon, I., and Basu, S. Exposing Parameters of a Trained Dynamic Model for Interactive Music Creation. Proc AAAI 2008.
 
9
PG Music Inc: Band-in-a-Box. http://pgmusic.com
 
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Rohrmeier, M., and Cross, I.. Statistical Properties of Tonal Harmony in Bach's Chorales. Proc 10th Intl Conf on Music Perception and Cognition (ICMPC10). Sapporo, Japan, 2008.
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Sleator, D. and Temperley, D. 2001. The Melisma Music Analyzer. http://www.link.cs.cmu.edu/melisma/
 
13
Wallis, I., Ingalls, T., and E. Campana. "Computer Generating Emotional Music: The Design of an Affective Music Algorithm." Proc Digital Audio Effects (DAFx-08). Espoo, Finland. 2008.

Collaborative Colleagues:
Eric Nichols: colleagues
Dan Morris: colleagues
Sumit Basu: colleagues