| Representing and playing user selected video narrative domains |
| Full text |
Pdf
(356 KB)
|
Source
|
International Multimedia Conference
archive
Proceeding of the 2nd ACM international workshop on Story representation, mechanism and context
table of contents
Vancouver, British Columbia, Canada
SESSION: Mirror, mirror on the wall, who is the controliest of them all
table of contents
Pages 33-40
Year of Publication: 2008
ISBN:978-1-60558-315-0
|
|
Authors
|
|
| Sponsors |
|
| Publisher |
|
| Bibliometrics |
Downloads (6 Weeks): 4, Downloads (12 Months): 51, Citation Count: 0
|
|
|
ABSTRACT
This paper presents a new framework for representing and playing user selected video narrative domains. Hypermedia graphs, generated from complex video narratives provide users with links to selected sequences of the whole video. These graphs have three main structures, representing three different domains: story time domain, space domain and character domain. Complex narratives are often enriched by different parallel lines of narrative or stories within the story, only intersected in one or two of the above mentioned domains. This can be difficult to understand and analyze. The proposed graphs can make these lines visible. More than that, an automatic procedure can search these stories within the story. Then, using suitable signal time alignment procedures, a set of kernel films can be built, each one showing one perspective or even just one of the stories within the story of the whole film.
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
| |
1
|
Buszard, L. A. 2003. Constructional Polysemy and Mental Spaces in Potawatomi Discourse, PhD Thesis, University of California, Berkley.
|
| |
2
|
|
| |
3
|
Enis Cetin, A. 2005. "Report on progress with respect to partial solutions on human detection algorithms, human activity analysis methods, and multimedia databases". Deliverable 11--4, http://www.cs.bilkent.edu.tr/~ismaila/MUSCLE/DeliverableWP11_4.doc.
|
 |
4
|
|
| |
5
|
Hitchcock A. Rope, 1948. http://www.imdb.com/title/tt0040746/.
|
| |
6
|
Jahn, M. 2005. Narratology: A Guide to the Theory of Narrative. English Department, University of Cologne.Version: 1.8., 28 May.
|
 |
7
|
|
 |
8
|
|
| |
9
|
Pavel, T. G. 1980. Narrative Domains, Poetics Today, Vol. 1, No. 4, Narratology II: The Fictional Text and the Reader, 105--114, Duke University Press.
|
| |
10
|
Teixeira, C. and Respício, A. 2007. See, Hear or Read the Film. in Ma L., Rauterberg M. and Nakatsu R. (eds.): Entertainment Computing - ICEC2007, Proceedings of the 6th International Conference on Entertainment Computing, Lecture Notes in Computer Science, 4740, Springer, 271--281.
|
| |
11
|
Thomas Anderson, P. Magnolia, 1999. http://www.imdb.com/title/tt0175880/.
|
| |
12
|
|
| |
13
|
Turesky, R. and Dimitrova, N. 2004. Screenplay Alignment for Closed-System Speaker Identification and Analysis of Feature Films, IEEE International Conference on Multimedia and Expo, 1659--1662.
|
 |
14
|
|
|