Information overload: a collaborative dance performance

ABSTRACT

The artistry of dance spans a multitude of professional fields encompassing projection, video, audio, and interactivity. Information Overload will explore opportunities in which digital media can be incorporated into a modern dance performance. The piece examines how we relate to technology. Moreover, it brings together and draws expertise and knowledge from several programs including Performing Arts, Digital Media, Electrical and Computer Engineering, and Music Industry.

REFERENCES

• 1: Congdon, James, Adheer Chauhan, Abrar Alam Hashmi, Rishi Parikh, and Aung Sann Oo. Audio, Video, and Wireless Position Tracking for an Interactive Media Performance. Drexel U, 2007.
• 2: Davis, Eric. "Techgnosis: Myth, Magic + Mysticism in the Age of Information." New York: Three Rivers Press, 1998.
• 3: Faver, Cheryl. "Toward a Digital Stage Architecture." Artful Media (2001): 6--9.
• 4: Hewwitt, R. "Seeing with OpenCV". Servo. March, 2007. Servo Magazine. 14th May, 2007 http://prism2.mem.drexel.edu/~paul/openCv/openCvPart03.pdf
• 5: Tenner, Edward. "Why Things Bite Back: Technology and the Revenge of Unintended Circumstances." New York: Vintage Books, 1996.
• 6: Thompson, John Henry. "JHT Other work." April 2007. http://www.j4u2.com/jht/newwork.html
• 7: Utterback, Camille. "Unusual Positions." First Person. Ed. Noah Wardrip-Fruin. Cambridge, MA: MIT Press, 2004. 220.

INDEX TERMS

Primary Classification:
  J. Computer Applications
  J.5 ARTS AND HUMANITIES
      Subjects: Performing arts (e.g., dance, music)

Additional Classification:
  I. Computing Methodologies
  I.3 COMPUTER GRAPHICS
      I.3.7 Three-Dimensional Graphics and Realism
          Subjects: Animation

General Terms:
Design, Experimentation, Performance

Keywords:
animation, dance, digital media, position tracking, real-time motion capture, real-time video filtration, technology