ACM Home Page
Please provide us with feedback. Feedback
Extracting depth and matte using a color-filtered aperture
Full text MovMov (22:03),  PdfPdf (4.70 MB)
Source International Conference on Computer Graphics and Interactive Techniques archive
ACM SIGGRAPH Asia 2008 papers table of contents
Singapore
SESSION: Image-based capture table of contents
Article No. 134  
Year of Publication: 2008
ISSN:0730-0301
Also published in ...
Authors
Yosuke Bando  The University of Tokyo
Bing-Yu Chen  National Taiwan University
Tomoyuki Nishita  The University of Tokyo
Sponsor
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
Publisher
ACM  New York, NY, USA
Bibliometrics
Downloads (6 Weeks): 22,   Downloads (12 Months): 279,   Citation Count: 0
Additional Information:

abstract   references   index terms   collaborative colleagues  

Tools and Actions: Request Permissions Request Permissions    Review this Article  
DOI Bookmark: Use this link to bookmark this Article: http://doi.acm.org/10.1145/1457515.1409087
What is a DOI?

ABSTRACT

This paper presents a method for automatically extracting a scene depth map and the alpha matte of a foreground object by capturing a scene through RGB color filters placed in the camera lens aperture. By dividing the aperture into three regions through which only light in one of the RGB color bands can pass, we can acquir three shifted views of a scene in the RGB planes of an image in a single exposure. In other words, a captured image has depth-dependent color misalignment. We develop a color alignment measure to estimate disparities between the RGB planes for depth reconstruction. We also exploit color misalignment cues in our matting algorithm in order to disambiguate between the foreground and background regions even where their colors are similar. Based on the extracted depth and matte, the color misalignment in the captured image can be canceled, and various image editing operations can be applied to the reconstructed image, including novel view synthesis, postexposure refocusing, and composition over different backgrounds.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
 
2
Amari, Y., and Adelson, E. H. 1992. Single-eye range estimation by using displaced apertures with color filters. In Proc. Int. Conf. Industrial Electronics, Control, Instrumentation, and Automation, vol. 3, 1588--1592.
 
3
 
4
 
5
Chang, I.-C., Huang, C.-L., Hsueh, W.-J., Lin, H.-C., Chen, C.-C., and Yeh, Y.-H. 2002. A novel 3-D hand-held camera based on tri-aperture lens. In Proc. SPIE 4925, 655--662.
 
6
 
7
 
8
Georgeiv, T., Zheng, K. C., Curless, B., Salesin, D., Nayar, S., and Intwala, C. 2006. Spatio-angular resolution tradeoff in integral photography. In Proc. EGSR, 263--272.
 
9
Gradshteyn, I. S., and Ryzhik, I. M. 2000. Table of integrals, series, and products (sixth edition). Academic Press.
 
10
11
12
 
13
14
 
15
 
16
Lewis, J. P. 1995. Fast template matching. In Proc. Vision Interface, 120--123.
17
18
 
19
McGuire, M., Matusik, W., and Yerazunis, W. 2006. Practical, real-time studio matting using dual imagers. In Proc. EGSR, 235--244.
 
20
Ng, R., Levoy, M., Brédif, M., Duval, G., Horowitz, M., and Hanrahan, P., 2005. Light field photography with a hand-held plenoptic camera. Tech. Rep. CSTR 2005-02, Stanford Computer Science, Apr.
21
 
22
Omer, I., and Werman, M. 2004. Color lines: image specific color representation. In Proc. CVPR, vol. 2, 946--953.
 
23
Raskar, R., Tumblin, J., Mohan, A., Agrawal, A., and Li, Y. 2006. Computational photography. In Proc. Eurographics STAR.
24
25
 
26
Vlahos, P., 1971. Electronic composite photography. U. S. Patent 3,595,987.
 
27
Wang, J., and Cohen, M. F. 2007. Optimized color sampling for robust matting. In Proc. CVPR.
 
28
 
29
Xiong, W., and Jia, J. 2007. Stereo matching on objects with fractional boundary. In Proc. CVPR.

Collaborative Colleagues:
Yosuke Bando: colleagues
Bing-Yu Chen: colleagues
Tomoyuki Nishita: colleagues