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Interactive Antarctica: a museum installation based on an augmented reality system
Full text PdfPdf (2.79 MB)
Source ACM International Conference Proceeding Series; Vol. 349 archive
Proceedings of the 3rd international conference on Digital Interactive Media in Entertainment and Arts table of contents
Athens, Greece
SESSION: Code art table of contents
Pages: 319-325  
Year of Publication: 2008
ISBN:978-1-60558-248-1
Authors
Caitilin de Bérigny Wall  University of Sydney, Sydney, Australia
Xiangyu Wang  University of Sydney, Sydney, Australia
Sponsor
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
Publisher
ACM  New York, NY, USA
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ABSTRACT

This paper considers the research work behind an interactive installation based on an Augmented Reality System (ARS). The installation will be a museum display, and will enable the participant to gesturally interact with data (digital image and sound) from the Antarctic. The ARS will allow a technological exploration of documentary and will considerably develop the contemporary status and understanding of the documentary genre in installation art.

In this paper, we argue that the augmented reality installation presents a new mode of documentary experience, thus transforming the genre into a vastly new and complex ensemble. The fact that genre has always been fluid and mutable is widely understood; this paper extends that knowledge by showing the transformative possibilities when an ARS is adopted as the presentation vehicle.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
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Australian Antarctic Division, Human Impacts in Antarctica: http://www.aad.gov.au/default.asp?casid=3436
 
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Wall, C., 2007. Hijacking Documentary into Installation Art, Hyperrhiz Journal of New Media Cultures, Issue 3, Summer.

Collaborative Colleagues:
Caitilin de Bérigny Wall: colleagues
Xiangyu Wang: colleagues