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The digital music box: using cultural and critical theory to inform design
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Conference on Human Factors in Computing Systems archive
CHI '07 extended abstracts on Human factors in computing systems table of contents
San Jose, CA, USA
SESSION: Work-in-progress table of contents
Pages: 2297 - 2302  
Year of Publication: 2007
ISBN:978-1-59593-642-4
Author
Mark A. Blythe  University of York
Sponsors
ACM: Association for Computing Machinery
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
Publisher
ACM  New York, NY, USA
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Downloads (6 Weeks): 14,   Downloads (12 Months): 77,   Citation Count: 1
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ABSTRACT

This work draws on studies which explore resistance to the music industry's construal of copying music files as theft. Following a previous ethnography on participants."Technology Scruples" it considers the issue as a design challenge rather than a legal problem. Drawing on critical theory it considers how value might be added to digital music by embedding it in artifacts. Three product design students were briefed to create concept designs for.digital music boxes. that would contain and display particular back catalogues of music. The paper reflects on their sketches and models and argues that critical theory can inform new approaches to design work.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
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bbc.co.uk (2005) Digital Piracy Rife Retrieved 11.1.07http://www.bbc.co.uk/6music/news/20051220_download.shtml
 
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