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Sensitivity analysis: unexpected outcomes in art and engineering
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Source International Multimedia Conference archive
Proceedings of the 14th annual ACM international conference on Multimedia table of contents
Santa Barbara, CA, USA
SESSION: Keynote table of contents
Pages: 15 - 15  
Year of Publication: 2006
ISBN:1-59593-447-2
Author
Ken Goldberg  University of California at Berkeley
Sponsors
ACM: Association for Computing Machinery
SIGMULTIMEDIA: ACM Special Interest Group on Multimedia
Publisher
ACM  New York, NY, USA
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ABSTRACT

Contemporary art and engineering research are both at their best when things don't turn out as planned. I'll present selected examples based on artworks developed with students and other collaborators involving robots and networks over the past 20 years. These projects set out to investigate intersections of technology and nature, such as the Telegarden, a robot installation that allowed online participants to remotely tend a living garden; Ballet Mori, a classical dance performed to sounds triggered by live seismic data; and Demonstrate, where an ultra high-resolution video camera raised eyebrows at the 40th anniversary of the Free Speech Movement. Every project led to unexpected twists and complications...I'll also argue that the languages of contemporary art and engineering research are complex, dynamic, and often frustratingly impenetrable to outsiders. In art, a blue disk can be a cliche, or, in the right place at the right time, profound. In engineering, analogous contexts determine the beauty of a coordinate frame or mathematical equation. In both spheres, aesthetic interpretation is based on knowledge of prior art and contemporary dialogues. Being so similar, it is not surprising that unexpected forces arise when these two spheres are brought together.