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Possibilities for the digital baton as a general-purpose gestural interface
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Source Conference on Human Factors in Computing Systems archive
CHI '97 extended abstracts on Human factors in computing systems: looking to the future table of contents
Atlanta, Georgia
SESSION: Late-breaking/short talks table of contents
Pages: 311 - 312  
Year of Publication: 1997
ISBN:0-89791-926-2
Author
Teresa Marrin  Hyperinstruments Research Group, Cambridge, MA
Sponsor
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
Publisher
ACM  New York, NY, USA
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ABSTRACT

This paper describes issues and results from the design and use of the Digital Baton, a new interface for real-time gestural control. Its construction was originally motivated by the need for a new instrument on which to perform computer music, and it was designed to replicate as closely as possible the feel of a traditional conducting baton. However, it has unexpectedly become a model for the design of new interfaces and digital objects, and is currently being used to record data for analysis in gesture-recognition research. Some preliminary results and future research areas are discussed at the end.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
Arent, Michael, Henry Lieberman, and Laurie Vertelney. "Two Disciplines in Search of an Interface: Reflections on a Design Problem" in The Art of Human-Computer Interface Design, Brenda Laurel, ed., Addison-Wesley, August 1989
 
2
Darrell, Trevor and Alex. P. Pentland, "Space Time Gestures," Proceedings of the IEEE Conference, CVPR, 1993.
 
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Paradiso, Joseph. "Gesture Sensing Technologies in the Brain Opera," to appear in the proceedings of the International Computer Music Conference, September 1997.
 
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Sawada, Hideyuki, Shin'ya Ohkura, and Shuji Hashimoto. "Gesture Analysis Using 3D Acceleration Sensor for Music Control." Proceedings of the International Computer Music Conference, 1995. San Francisco: Computer Music Association, 1995, pp. 257--260.

CITED BY  7