| CollageMachine: temporality and indeterminacy in media browsing via interface ecology |
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Conference on Human Factors in Computing Systems
archive
CHI '97 extended abstracts on Human factors in computing systems: looking to the future
table of contents
Atlanta, Georgia
SESSION: Late-breaking/interactive posters
table of contents
Pages: 238 - 239
Year of Publication: 1997
ISBN:0-89791-926-2
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Downloads (6 Weeks): 3, Downloads (12 Months): 11, Citation Count: 7
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ABSTRACT
CollageMachine synthesizes artistic and computational practices in order to represent media from the World Wide Web (WWW). It functions as a process-based art work, and as a special browser which can be useful for searching. Media elements are pulled from Web pages and composed into a collage which evolves over time. The evolving art work / browsing session can be shaped by the user. The temporal composition of the collage develops with relation to its visual composition and semantic content. The CollageMachine engine combines structured randomness and the user's expression of preferences and interests with design rules and semantic rules to make decisions about the collage's layout, and about which media to retrieve. My approach in blending music composition strategies, visual art aesthetics, and computer science techniques into this interactive environment arises through application of the theory of Interface Ecology.
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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Cage, John. Silence. Middletown: Wesleyan University Press. 1961.
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Stuart K. Card , George G. Robertson , William York, The WebBook and the Web Forager: an information workspace for the World-Wide Web, Proceedings of the SIGCHI conference on Human factors in computing systems: common ground, p.111-ff., April 13-18, 1996, Vancouver, British Columbia, Canada
[doi> 10.1145/238386.238446]
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Itten, Johannes. The Elements of Color. New York: Van Nostrand Reinhold. 1970.
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David S. Ebert , F. Kenton Musgrave , Darwyn Peachey , Ken Perlin , Steven Worley, Texturing and modeling: a procedural approach, Academic Press Professional, Inc., San Diego, CA, 1994
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Spies, Werner. Max Ernst Collages: The Invention of the Surrealist Universe. New York: Harry N. Abrams. 1988.
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CITED BY 7
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Michelle Chang , John J. Leggett , Richard Furuta , Andruid Kerne , J. Patrick Williams , Samuel A. Burns , Randolph G. Bias, Collection understanding, Proceedings of the 4th ACM/IEEE-CS joint conference on Digital libraries, June 07-11, 2004, Tuscon, AZ, USA
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