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ABSTRACT
This paper contributes to the theory of photograph formation from light fields. The main result is a theorem that, in the Fourier domain, a photograph formed by a full lens aperture is a 2D slice in the 4D light field. Photographs focused at different depths correspond to slices at different trajectories in the 4D space. The paper demonstrates the utility of this theorem in two different ways. First, the theorem is used to analyze the performance of digital refocusing, where one computes photographs focused at different depths from a single light field. The analysis shows in closed form that the sharpness of refocused photographs increases linearly with directional resolution. Second, the theorem yields a Fourier-domain algorithm for digital refocusing, where we extract the appropriate 2D slice of the light field's Fourier transform, and perform an inverse 2D Fourier transform. This method is faster than previous approaches.
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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Ke Colin Zheng , Alex Colburn , Aseem Agarwala , Maneesh Agrawala , David Salesin , Brian Curless , Michael F. Cohen, Parallax photography: creating 3D cinematic effects from stills, Proceedings of Graphics Interface 2009, May 25-27, 2009, Kelowna, British Columbia, Canada
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