| System for authoring highly interactive, personality-rich interactive characters |
| Full text |
Pdf
(377 KB)
|
Source
|
Symposium on Computer Animation
archive
Proceedings of the 2004 ACM SIGGRAPH/Eurographics symposium on Computer animation
table of contents
Grenoble, France
SESSION: Emotion through motion
table of contents
Pages: 59 - 68
Year of Publication: 2004
ISBN ~ ISSN:1727-5288 , 3-905673-14-2
|
|
Authors
|
|
| Sponsors |
|
| Publisher |
Eurographics Association
Aire-la-Ville, Switzerland, Switzerland
|
| Bibliometrics |
Downloads (6 Weeks): 9, Downloads (12 Months): 75, Citation Count: 8
|
|
ABSTRACT
We describe an innovative system for authoring expressive, fully autonomous interactive characters. The focus of our work is creating a system to allow rich authoring that captures as much of the artistic intent of the author in procedural form as we can, and that provides automatic support for expressive execution of that content. The system is composed of two parts: (1)a programming language with unusual language features including concurrency, reflection, backtracking, continuously monitored expressions, and a model of emotion, that was created for the expression of interactive self-animating characters; and (2) a motion synthesis system that combines hand-animated motion data with artistically authored procedures for generalizing the motion while preserving the artistic intent. This system has been used to create over a dozen interactive characters, which have been shown at juried venues, as well as being deployed commercially. We describe how artistic qualities important to interactive characters are encoded and supported using this system, and demonstrate the system with an implemented interactive character.
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
 |
1
|
|
 |
2
|
|
| |
3
|
|
| |
4
|
|
 |
5
|
|
| |
6
|
|
| |
7
|
|
| |
8
|
{Joh95} Johnson M. P.: Exploiting Quaternions to Support Expressive Interactive Character Motion. PhD thesis, Massachusetts Institute of Technology, 1995.
|
 |
9
|
|
| |
10
|
{LB93} Loyall A. B., Bates J.: Real-time control of animated broad agents. In Proceedings of the Fifteenth Annual Conference of the Cognitive Science Society (1993).
|
| |
11
|
|
 |
12
|
James C. Lester , Luke S. Zettlemoyer , Joël P. Grégoire , William H. Bares, Explanatory lifelike avatars: performing user-centered tasks in 3D learning environments, Proceedings of the third annual conference on Autonomous Agents, p.24-31, April 1999, Seattle, Washington, United States
[doi> 10.1145/301136.301154]
|
| |
13
|
{MS02} Mateas M., Stern A.: Architecture, Authorial Idioms and Early Observations of the Interactive Drama Facade. Tech. Rep. CMU-CS-02-198, Department of Computer Science, Carnegie Mellon University, 2002.
|
| |
14
|
{MTT87} Magnenat-Thalmann N., Thalmann D.: The direction of synthetic actors in the film rendez-vous à montréal. IEEE Computer Graphics and Applications 7, 12 (1987).
|
| |
15
|
{Nea96} Neal Reilly W. S.: Believable Social and Emotional Agents. PhD thesis, Computer Science Department, Carnegie Mellon, 1996.
|
 |
16
|
|
| |
17
|
|
 |
18
|
|
| |
19
|
{RJ99} Rickel J., Johnson W. L.: Animated agents for procedural training in virtual reality: Perception, cognition, and motor control. Applied Artificial Intelligence 13 (1999), 343--382.
|
| |
20
|
|
 |
21
|
|
 |
22
|
|
CITED BY 8
|
|
|
|
|
|
|
|
|
|
|
André M. C. Campos , Emanuel B. Santos , Anne M. P. Canuto , Rodrigo G. Soares , João Carlos Alchieri, A flexible framework for representing personality in agents, Proceedings of the fifth international joint conference on Autonomous agents and multiagent systems, May 08-12, 2006, Hakodate, Japan
|
|
|
Yoshifumi Kitamura , Rong Rong , Yoshinori Hirano , Kazuhiro Asai , Fumio Kishino, Video agent: interactive autonomous agents generated from real-world creatures, Proceedings of the 2008 ACM symposium on Virtual reality software and technology, October 27-29, 2008, Bordeaux, France
|
|
|
|
|
|
|
|
|
|
|