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ABSTRACT
We have developed a model of "story viewer emotion" in order to understand how emotional viewing could be coded and that has led us to the devising of "emotional film structures". We then established direct relations between the viewer model and the elicitation film structure, taking into account the standard interactions between oral storyteller and story-listeners in order to categorize the possible story reactions toward user emotions in real time. In the end we present a case study of a hypothetic usage of "emotion detection" in a The Silence of the Lambs sequence.
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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