| Musical syntactic and semantic structures in APL2 |
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International Conference on APL
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Conference proceedings on APL 90: for the future
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Copenhagen, Denmark
Pages: 130 - 139
Year of Publication: 1990
ISBN:0-89791-371-X
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Downloads (6 Weeks): 2, Downloads (12 Months): 6, Citation Count: 1
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ABSTRACT
APL2 provides an excellent platform for implementing both syntactic and semantic representations of music, and for effecting transformations between the two. We use general arrays to represent syntactic information in the form of Musical Instrument Digital Interface (MIDI) data streams and illustrate a semantic structure by defining a diatonic scale. Chords are created within that scale using the “each” operator to facilitate this development. Finally, we make a few observations regarding relationships and transformations between these representations.
REFERENCES
Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.
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Chomsky, N., Syntactic Structures, The Hague, Mouton, 1957.
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Lerdahl, F., and R. Jackendoff, A Generative Theory of Tonal Music, MIT Press, Cambridge, Massachusetts, 1983.
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Minsky, M., Music, Mind, and Meaning, MIT Press, Cambridge, Massachusetts, 1981.
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Morris, Robert, Composition with Pitch Classes: A Theory of Compositional Design, Yale University Press, New Haven and London, 1987.
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Musical Instrument Digital Interface (,MIDI) Specification 1.0, The International MIDI Association (IMA), Sun Valley, California, August 1983.
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Rhodes, Curtis, "G~arnrnars as Representations for ;Llusic," Computer Yklusic Journal Vol. 3, No. 1, MIT Press, Cambridge, Massachusetts, 1987.
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Starr, Daniel, Derivation and Polyphony in Twelve-Tone Music, Ph.D dissertation, Princeton University, 1980.
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Xenakis, Iannis, Formalized Music, Indiana University Press, Bloomington, Indiana, 1971.
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