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Animating art history: building a bridge between disciplines
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Source International Conference on Computer Graphics and Interactive Techniques archive
ACM SIGGRAPH 2003 Educators Program table of contents
San Diego, California
PANEL SESSION: Panels table of contents
Pages: 1 - 2  
Year of Publication: 2003
Authors
LiQin Tan  Rutgers University at Camden
Roberta K. Tarbell  Rutgers University at Camden
Robert Wuilfe  Rutgers University at Camden
Sponsor
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
Publisher
ACM  New York, NY, USA
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ABSTRACT

The study of art history is an exciting and rewarding one, but one in which the student frequently encounters complex and difficult to understand concepts. Traditional methodologies for educators presenting these ideas to students have included slides, lectures, textbooks and videos of static works of art. In our technologically driven and media-saturated society, though, high school and early college students in introductory art history courses respond more positively to today's multimedia pedagogical tools.Computer animation offers a new and interdisciplinary paradigm with which to approach the art historical curriculum. With advanced three-dimensional animation technology, the Animating Art History team is creating original and dynamic tools for classroom use. Animating Art History presents complicated concepts in art history within the framework of a fully realized animation segment. Through plot, humor and visual exaggeration, animation captures the imagination of the student and facilitates learning.


Collaborative Colleagues:
LiQin Tan: colleagues
Roberta K. Tarbell: colleagues
Robert Wuilfe: colleagues

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