Creativity, art practice, and knowledge

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Creativity, art practice, and knowledge

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Communications of the ACM archive
Volume 45 , Issue 10 (October 2002) table of contents

SPECIAL ISSUE: Creativity and interface table of contents

Pages: 91 - 95

Year of Publication: 2002

ISSN:0001-0782

Authors

Ernest Edmonds	professor in the Department of Information Technology at the University of Technology, Sydney, Australia
Linda Candy	senior research fellow in the Department of Computer Science at Loughborough University, U.K.

Publisher

ACM New York, NY, USA

Bibliometrics

Downloads (6 Weeks): 8, Downloads (12 Months): 180, Citation Count: 6

Additional Information:

abstract references cited by index terms collaborative colleagues peer to peer

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ABSTRACT

Achieving a balance of control and freedom by supporting a mix of strategies.

REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

	1	Margaret A. Boden, The creative mind: myths and mechanisms, Basic Books, Inc., New York, NY, 1991
	2	Linda Candy , Ernest Edmonds, Explorations in art and technology, Springer-Verlag, London, 2002
	3	Linda Candy , Ernest Edmonds, Creativity enhancement with emerging technologies, Communications of the ACM, v.43 n.8, p.63-65, Aug. 2000 [doi>10.1145/345124.345144]
	4	Candy, L. Cognitive modeling of creative knowledge work for interaction design criteria. In Proceedings of the 4th International Roundtable Conference on Computational Models of Creative Design. J.Gero and M-L Maher, Eds., (Dec. 1999), 57--79.
	5	Candy, L. Computers and creativity support: Knowledge, visualisation and collaboration. Knowledge-Based Systems 10, 1 (Jan. 1997), 3--13.
	6	Candy, L. and Edmonds, E.A. Creative design of the Lotus bicycle: Implications for knowledge support systems research. Design Studies 17, 1 (Jan. 1996), 71--90.
	7	Cohen, H. The Robotic Artist: Aaron in Living Color. The Computer Museum, Boston, 1995.
	8	Gomringer, E. Manfred Mohr---Cubist in the Computer Age. Algorithmic Works (Manfred Mohr), Josef Albers Museum, 1998, 5--7.
	9	Guindon, R., Krasner, H. and Curtis, B. Cognitive processes in software design. In Proceedings of INTERACT'87, North-Holland, 1987, 383--388.
	10	Michael Maccoby, The innovative mind at work, IEEE Spectrum, v.28 n.12, p.23-ff., Dec. 1991 [doi>10.1109/MSPEC.1991.4684834]
	11	Partridge, D. and Rowe, J. Computers and Creativity. Intellect, Oxford, 1994.
	12	Ullman, D.G., Dietterich, T.G. and Stauffer, L. A model of the mechanical design process based on empirical data. AI EDAM 2, 1 (Jan. 1988), 33--52.

CITED BY 6

	Gary R. Greenfield, Computational aesthetics as a tool for creativity, Proceedings of the 5th conference on Creativity & cognition, April 12-15, 2005, London, United Kingdom
	Alastair Weakley , Ernest Edmonds, Web-based support for creative collaboration, International Journal of Web Based Communities, v.1 n.4, p.436-449, November 2005
	Pieter H. G. Van Langen , Frances M. T. Brazier, Design space exploration revisited, Artificial Intelligence for Engineering Design, Analysis and Manufacturing, v.20 n.2, p.113-119, April 2006
	R. T. Jim Eales, Creativity in action: some implications for the design of creativity support systems, Proceedings of the 6th ACM SIGCHI New Zealand chapter's international conference on Computer-human interaction: making CHI natural, p.9-14, July 07-08, 2005, Auckland, New Zealand
	Joshua Hailpern , Erik Hinterbichler , Caryn Leppert , Damon Cook , Brian P. Bailey, TEAM STORM: demonstrating an interaction model for working with multiple ideas during creative group work, Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition, June 13-15, 2007, Washington, DC, USA
	Pieter H. G. Van Langen , Niek J. E. Wijngaards , Frances M. T. Brazier, Designing creative artificial systems, Artificial Intelligence for Engineering Design, Analysis and Manufacturing, v.18 n.3, p.217-225, June 2004