Production and maintenance environments for interactive audio-visual stories

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Production and maintenance environments for interactive audio-visual stories

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International Multimedia Conference archive
Proceedings of the 2000 ACM workshops on Multimedia table of contents

Los Angeles, California, United States

Pages: 21 - 24

Year of Publication: 2000

ISBN:1-58113-311-1

Authors

Frank Nack	CWI, 1090 GB Amsterdam, Netherlands
Craig Lindley	CSRIO, Sydney, Australia

Sponsors

SIGOPS: ACM Special Interest Group on Operating Systems
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
SIGMIS: ACM Special Interest Group on Management Information Systems
SIGCHI: ACM Special Interest Group on Computer-Human Interaction
SIGCOMM: ACM Special Interest Group on Data Communication
SIGIR: ACM Special Interest Group on Information Retrieval
SIGMULTIMEDIA: ACM Special Interest Group on Multimedia

Publisher

ACM New York, NY, USA

Bibliometrics

Downloads (6 Weeks): 1, Downloads (12 Months): 8, Citation Count: 3

Additional Information:

references cited by index terms collaborative colleagues peer to peer

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REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

	1	Thomas G. Aguierre Smith , Glorianna Davenport, The Stratification System - A Design Emvironment for Random Access, Proceedings of the Third International Workshop on Network and Operating System Support for Digital Audio and Video, p.250-261, November 12-13, 1992
	2	Arnheim, R. (1956). Art and Visual Perception: A Psychology of the creative eye. London: Faber & Faber.
	3	Bloch, G. R. (1986) Elements d'une Machine de Montage Pour l'Audio-Visuel. Ph.D., Ecole Nationale Superieure Des Tdldcommunications.
	4	Bloom, P.J. (1985). High-quality digital audio in the entertainment industry: an overview of achievcments and challenges, IEEE Acoust. Speech Signal Proccss. Mag., 2, 2-25 (1985)
	5	Bordw'el{. D. (1989). Making Meaning - btference and Rhetoric in the Interpretation of Chzema. Cambridge, Massachusetts: 1 larvard University Press.
	6	Jan Borchers , Max Mühlhäuser, Design Patterns for Interactive Musical Systems, IEEE MultiMedia, v.5 n.3, p.36-46, July 1998 [doi>10.1109/93.713303]
	7	Ronald J. Brachman , Hector J. Levesque, Readings in Knowledge Representation, Morgan Kaufmann Publishers Inc., San Francisco, CA, 1985
	8	Brooks, KM (1999). "Metalinear Cinematic Narrative: Theory, Process, and Tool. " MIT Ph.D. Thesis.
	9	Marc Eliot Davis, Media streams: representing video for retrieval and repurposing, Massachusetts Institute of Technology, Cambridge, MA, 1995
	10	Eco, U. (1985). Einfiihrung in die Semiotik. Mfinchen: Wilhelm Fink Verlag.
	11	Greimas, J. (1983). Structural Semantics: An Attempt at a Method. Lincoln: University of Nebraska Press.
	12	Janowitz, M., & Street, D. (1966). The Social Organization of Education. In P. H. Rossi & B. J. Biddle (Eds.), The New Media and Education. Chicago: Aldine.
	13	Lindley, C. (2000). A Video Annotation Methodology for Interactive Video Sequence Generation, BCS Computer Graphics & Displays Group Conference on Digital Content Creation, Bradford, UK, 12-13 April 2000.
	14	Nack, F. (1996) "AUTEUR: The Application of Video Semantics and Theme Representation in Automated Video Editing," Ph.D., Lancaster University, 1996.
	15	Frank Nack , Alan Parkes, The Application of Video Semantics and Theme Representation in Automated Video Editing, Multimedia Tools and Applications, v.4 n.1, p.57-83, January 1997 [doi>10.1023/A:1009682315690]
	16	A. Parkes, Settings and the setting structure: the description and automated propagation of networks for perusing videodisk image states, Proceedings of the 12th annual international ACM SIGIR conference on Research and development in information retrieval, p.229-238, June 25-28, 1989, Cambridge, Massachusetts, United States
	17	Peirce, C. S. (1960). The Collected Papers of Charles Sanders Peirce - 1 Principles of Philosophy attd 2 Elements of Logic, Edited by Charles Hartshone and Paul Weiss. Cambridge, MA: The Belknap Press of Harvard University Press.
	18	Silvia Pfeiffer , Stephan Fischer , Wolfgang Effelsberg, Automatic audio content analysis, Proceedings of the fourth ACM international conference on Multimedia, p.21-30, November 18-22, 1996, Boston, Massachusetts, United States [doi>10.1145/244130.244139]
	19	Sack, W. (1993). Coding News And Popular Culture. In The International Joint Conference on Artificial Intelligence (IJCA93) Workshop on Models of Teaching and Models of Learning. Chambery, Savoie, France.
	20	TALC(1999). http://www.de.ibm.com/ide/solutions/dmsc/
	21	Yoshinobu Tonomura , Akihito Akutsu , Yukinobu Taniguchi , Gen Suzuki, Structured Video Computing, IEEE MultiMedia, v.1 n.3, p.34-43, September 1994 [doi>10.1109/MMUL.1994.318984]

CITED BY 3

	Marc Davis, From Pirates to Patriots: Fair Use for Digital Media, IEEE MultiMedia, v.9 n.4, p.4-7, October 2002
	Frank Nack , Menzo Windhouwer , Lynda Hardman , Eric Pauwels , Michèle Huijberts, The role of high-level and low-level features in style-based retrieval and generation of multimedia presentations, The New Review of Hypermedia and Multimedia, v.7 n.1, p.39-65, July 30 2002
	Frank Nack , Lynda Hardman, Denotative and connotative semantics in hypermedia: proposal for a semiotic-aware architecture, The New Review of Hypermedia and Multimedia, v.7 n.1, p.7-37, July 30 2002

INDEX TERMS

Primary Classification:
H. Information Systems
H.5 INFORMATION INTERFACES AND PRESENTATION (I.7)

General Terms:
Design, Human Factors, Management, Performance, Theory

Collaborative Colleagues:

Frank Nack: colleagues

Craig Lindley: colleagues

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