| |
1
|
Beattie S, (forthcoming) Contents Under Pressure: Interactive Media and the Return of Political Censorship
|
| |
2
|
Brookey RA & Booth P (2006) 'Restricted Play: Synergy and the Limits of Interactivity in The Lord of the Rings: The Return of the King Video Game', Games and Culture, 1(1) 214
|
| |
3
|
Buckingham D. (2000) After the Death of Childhood: Growing Up in the Age of Electronic Media, Polity Press Cambridge
|
| |
4
|
Clark D (2005) Launch of New OFLC Classification Markings: "Managing Content in a World of Borderless Entertainment", 6 June, 1--4
|
| |
5
|
Kipnis L (1996) Bound and Gagged: Pornography and the Politics of Fantasy in America, Grove Press: New York
|
| |
6
|
Guidelines for the Classification of Films and Computer Games 2005
|
| |
7
|
OFLC Classification Review Board Report, Marc Ecko's Getting Up: Contents Under Pressure (6, 8, 13 & 14 February 2006)
|
| |
8
|
OFLC Classification Review Board Report, 50 Cent: Bulletproof (6 & 23 November 2005)
|
| |
9
|
Paul P (2005) Pornified: How Pornography is Transforming Our Lives, Our Relationships and Our Families, Times Books: New York
|
| |
10
|
Radway J (1984) Reading the Romance: Women, Patriarchy, and Popular Literature, Chapel Hill: University of North Carolina Press.
|
| |
11
|
Roosevelt, F. D. State of the Union Address January 6 1941
|
| |
12
|
Vonnegut, K. (1974) Breakfast of Champions, Jonathan Cape: London, at 194-5
|