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Multiple perspectives in computer graphics: arguments from perceptual grouping and renaissance art
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Source ACM International Conference Proceeding Series; Vol. 153 archive
Proceedings of the 3rd symposium on Applied perception in graphics and visualization table of contents
Boston, Massachusetts
SESSION: Posters table of contents
Pages: 154 - 154  
Year of Publication: 2006
ISBN:1-59593-429-4
Authors
Elodie Fourquet  University of Waterloo, Canada
William Cowan  University of Waterloo, Canada
Stephen Mann  University of Waterloo, Canada
Sponsor
SIGGRAPH: ACM Special Interest Group on Computer Graphics and Interactive Techniques
Publisher
ACM  New York, NY, USA
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Downloads (6 Weeks): 4,   Downloads (12 Months): 24,   Citation Count: 2
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ABSTRACT

Research in computer graphics noticed deviations from strict geometrical perspective in Renaissance painting, which it treated as exceptional cases, related to specific human perceptions. Based on research in perceptual grouping and art history, this work argues that the deviations are not exceptional but systematic. A new graphics architecture supporting multiple perspectives is also sketched.


REFERENCES

Note: OCR errors may be found in this Reference List extracted from the full text article. ACM has opted to expose the complete List rather than only correct and linked references.

 
1
Elkins, J. 1994. The Poetics of Perspective. Cornell University Press.
 
2
North, J. 2002. The Ambassadors' Secret. Hambleton & London.
 
3
Palmer, S. E., Brooks, J. L., and Nelson, R. 2003. When does grouping happen? Acta Psychological 114, 3, 311--330.
 
4
Palmer, S. E. 1999. Vision Science: Photons to Phenomenology. MIT Press.


Collaborative Colleagues:
Elodie Fourquet: colleagues
William Cowan: colleagues
Stephen Mann: colleagues